[on Wilczek's current project]: weaving together threads from across the frontiers of knowledge, optimistically pushing ever deeper, never satisfied with an incomplete understanding of the universe and all the potential it holds for us. And having a great time doing it.
This book as a website is a rabbit-hole into the history of Futurism as an art movement at the start of the 20th century. The book has interesting prompts or perspectives for creativity as well as illuminating record of the problems within this movement. While for the most part we have moved past the precise content of these manifestos, many of the... See more
Yes — I think you have to, at some level, in some form, have the feeling for how things might be different and better in order to make a great discovery. I think you can be lucky, but even if you’re lucky and stumble into something, you’ve got to realize that it’s something and that you should pursue it. And that is usually driven by some feeling... See more
“All that is known. It proves nothing; its demonstrative value is destroyed by the habit of thinking in terms of advantages and disadvantages, the most evil of all ways of looking at life. “Everything has its advantages and disadvantages.” Once that is said, the unbearable becomes bearable—a mere disadvantage, and what after all is a disadvantage... See more
Thus “The Simultaneous City,” with texts spanning from about 1909 to 1915, explores the technological myths of the modern city that are archetypal to the Futurist imagination: new machines that abolish distance and modify our senses, new simultaneous perceptions of the street, the crowd, and nightlife, the dynamic clash of competing forces, and the... See more