Aspiring corporate anthropologist, investment ecologist, & data psycho-analyst; Workaholic in remission
Finding this sort of internal power is an individual art to master and probably will not be clear when you first start creating online. When people start putting themselves out there fully, they are at peak uncertainty and crave a roadmap. As I like to say, don’t find a niche, find a mode or a state you can keep showing up in.
A wicked problem is one where there are a plethora of ways to work towards the vision with multiple parties, people, systems, processes, and interactions that may impact or be impacted by the solution.
It’s the builder, not the drill sergeant, who genuinely cares about excellence; for the builder’s excellence is in service of the particular life she wants to build , whereas the drill sergeant threatens you with “excellence” as a vague, arbitrary dictate you have to appease before being allowed to build and enjoy your own life in the first place.
In particular, the choice to valorize disruption and innovation sits uneasily with both the actual process of university education and the needs of careers that people will actually have. It’s also bad for society on net.
Therefore, creativity does not happen inside people’s heads, but in the interaction between a person’s thoughts and a sociocultural context. It is a systemic rather than an individual phenomenon.
To the American way of thinking, respect is bound up with honesty, and honesty is essential to personal responsibility. Hiding, dissimulation, and other forms of deception amount to disrespect. You lie only to those beneath you—children, constituents, employees.
Geertz (1973) argues that the Enlightenment view of human nature placed such an overbearing emphasis on universal characteristics that it relegated the differential effects of culture to secondary status.
When we recognise our ongoing participation in the sort of interaction that drama models, we are drawn to look at the process from an ethical perspective. A key issue here may be, ‘How do I sustain myself within the intricately balanced network of relationships (that makes up the drama, in life)?’