Dayna Carney

YouTube soon became a game of “What’s the craziest thing you’d do for attention?”

My answer? Legally marry my sister’s boyfriend.   (It was meant to be a lighthearted joke. Our union has since been annulled.)

Nearly three million people have watched that video; by the numbers, I should consider it and others like it as successes. But there’s an

First and foremost, address data gaps, says Maharaj. "We don't have data on future sea-level rise and wave climate projections for most islands. Think about that. We're so exposed and vulnerable on our coastlines." Islands also need more information on the value of ecosystems services to tackling climate change, she says, and studies to model their

Black teenage girls are the invisible tastemakers creating and popularizing some of the biggest trends simply by being their authentic selves. It’s the everyday Black girl, without a platform or the machine of capitalism behind her, who exudes cool without having to try.

Online culture encourages young people to turn themselves into a product at an age when they’re only starting to discover who they are.   When an audience becomes emotionally invested in a version of you that you outgrow, keeping the product you’ve made aligned with yourself becomes an impossible   dilemma.

" Each choice made informed all of the other choices down the road as the design developed. Paula walked me through each step of the process and shared strengths and weaknesses with each choice."

I was entering adulthood and trying to live my childhood dream, but now, to be “authentic,” I had to be the product I had long been posting online, as opposed to the person I was growing up to be.

Even so, I was also a teenager, making decisions based on the visibility that our culture teaches us to desire. I knew that my audience wanted to feel authenticity from me. To give that to them, I revealed pieces of myself that I might have been wiser to keep private.

Rodgers says, the stages for this year’s show could only be about half the size they have been in previous years. There was also the matter of getting them on and off the field swiftly. The crews had about 7.5 minutes to set up this year’s performance and about six to take it down. “That’s the science you have to inject into an artist’s world,”