Zara Koroma

I’m an artist because I need to find a place to exist in a way that feels supportive, that understands who I am and who my communities are.

The rubric “lesbian,” too, conjures something quite other than intrafemale eroticism: not a form of desire but a strategy toward an abolitionist end

f the ceiling was falling down and you couldn’t do anything about it, what you could do was grow and arrange peonies and tulips and zinnias; cut forsythia and mock orange to bring inside.

As Simon Sheikh writes, O’Doherty offers a critique of the understanding of the white cube as

a place free of context, where time and social space are thought to be excluded from the experience of artworks. It is only through the apparent neutrality of appearing outside of daily life and politics that the works within the white cube can appear to be

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Funders are beginning to shift their attention from one-off capital projects to long-term investment, leadership development, and permanent affordability mechanisms.

“Fugitivity, then, is a desire for and a spirit of escape and transgression of the proper and the proposed. It’s a desire for the outside, for a playing or being outside, an outlaw edge proper to the now always already improper voice or instrument.”