Worldbuilding
Sarah Drinkwater and
Worldbuilding
It doesn’t have to be the way it is is a playful statement, made in the context of fiction, with no claim to “being real.” Yet it is a subversive statement.
Subversion doesn’t suit people who, feeling their adjustment to life has been successful, want things to go on just as they are, or people who need support from authority assuring them that thin... See more
Subversion doesn’t suit people who, feeling their adjustment to life has been successful, want things to go on just as they are, or people who need support from authority assuring them that thin... See more
Ursula K. Le Guin — 28. It Doesn’t Have To Be the Way It Is
thoughts on the creative tensions of Disneyland: between art and commerce, the child vs. the adult, what you can see vs. what’s hidden, and surrendering vs. control.
Austin Kleon • Imagineering
The difference between a story and a scenario is the narrative arc. Stories are built around a main character the reader will sympathise with. Fictional stories have a kind of creative freedom that scenario’s do not have. This freedom allows creators ánd readers to explore the impact of technologies and developments on the daily lives of people (an
... See moreMarjolein Pijnappels • Designing the Future Using Science Fiction
11 laws of showrunning
The Eleven Laws of Showrunning by Javier Grillo-Marxuach provide advice and insights for effectively managing a television show, from fostering a creative environment to delegating responsibility and sharing credit.
okbjgm.weebly.comThe End of a World and its Pedagogies | By: Patricia Reed | Making & Breaking
Patricia Reedmakingandbreaking.org
Planet City -- a sci-fi vision of an astonishing regenerative future
ted.com
Sci-fi prototyping allows us to creatively explore and iterate how technology and social developments can shape and be shaped by the people who use it and explore its implications on the everyday lives of people.