Worldbuilding

thoughts on the creative tensions of Disneyland: between art and commerce, the child vs. the adult, what you can see vs. what’s hidden, and surrendering vs. control.

Austin Kleon • Imagineering

Keely Adler

Aja Singer • Our Big Brand Vision? Going welI, I think!

ssari

Disney corporate strategy, 1957

The End of a World and its Pedagogies | By: Patricia Reed | Making & Breaking

Patricia Reed makingandbreaking.org

Pedro Parrachia

Worldbuilding, for me, was a form of expansive hope—a necessary imagination for being alive.

Morgan Harper Nichols • A Necessary Imagination

Keely Adler

Beyond the Failure Market in Video Games

Noah Caldwell-Gervais thebaffler.com

Sarah Drinkwater

*What's behind Metalabel?* Metalabel was inspired by specific theories about what the future-now holds: from post-individualism to world-building as self-care to the decline of the creator economy as we know it Here are six core beliefs behind @metalabel_xyz 🧵

name twitter.com

Keely Adler

My Website Is a Shifting House Next to a River of Knowledge. What Could Yours Be?

thecreativeindependent.com thecreativeindependent.com

Tanuj

On Lore

docs.google.com

Sarah Drinkwater

Worldbuilding and Antifragility

alexdanco.com alexdanco.com

sari