Worldbuilding
Sarah Drinkwater and
Worldbuilding
projects like Invisible Seattle and Loot prove that inventive and imaginative results can emerge from collaboration, producing works that defy easy categorization and commercialization.
Dirt • Dirt: Worldbuilding, Pt. 2
Whether it is through a VR headset, the manipulation of projectors, or clever set design, immersion fulfills our desire for escapism, instantly transporting us to far-flung, exotic worlds conveniently differentiated by genre: aliens, dinosaurs, cowboys, zombies, steampunk. Excitement and wonder in a familiar imaginary, this mode of immersive
... See moreAdam Stoneman • What Will the “Metaverse” Do to Art and Culture?
“We create products and experiences—I look at our Instagram as a product. It is a form of taking a Recess just like drinking a can is. It’s just as important...Our strategy long-term is to develop a whole platform of products. There are many versions of Recess we can create for specific use cases in the day where you’re looking to reset or... See more
Aja Singer • Our Big Brand Vision? Going welI, I think!
