Worldbuilding
Sarah Drinkwater and
Worldbuilding
The End of a World and its Pedagogies | By: Patricia Reed | Making & Breaking
Patricia Reedmakingandbreaking.org
It doesn’t have to be the way it is is a playful statement, made in the context of fiction, with no claim to “being real.” Yet it is a subversive statement.
Subversion doesn’t suit people who, feeling their adjustment to life has been successful, want things to go on just as they are, or people who need support from authority assuring them that... See more
Subversion doesn’t suit people who, feeling their adjustment to life has been successful, want things to go on just as they are, or people who need support from authority assuring them that... See more
Ursula K. Le Guin — 28. It Doesn’t Have To Be the Way It Is
projects like Invisible Seattle and Loot prove that inventive and imaginative results can emerge from collaboration, producing works that defy easy categorization and commercialization.
Dirt • Dirt: Worldbuilding, Pt. 2
What role-playing games like Dungeons & Dragons pioneered was using the same gameplay mechanics not to fight tabletop wars but to tell stories, centered not on armies but on individual characters of a player’s own creation. The point of playing was not to beat your opponent but to share in the thrill of making up worlds and pretending to act in... See more
The New Atlantis • Reality Is Just a Game Now
*What's behind Metalabel?*
Metalabel was inspired by specific theories about what the future-now holds: from post-individualism to world-building as self-care to the decline of the creator economy as we know it
Here are six core beliefs behind @metalabel_xyz 🧵
nametwitter.comWe take the profound power of conjuring new expressions, interpretations, and constructed worlds for granted.