The book 1.0
but continued a love affair with language and meaning as texture and material.
James Bridle • Why I Write
Digital networks have become the dominant cultural logic, profoundly transforming not only culture but also the economy, public sphere, and even people’s subjectivity. In contrast to digital culture, network culture makes information less the outcome of discrete processing units and more of the result of the networked relations between them, of... See more
Book
Writing, more visibly and unquestionably today than ever, is inherently networked. It begins and remains connected to its subject, and to everything else, becoming part of it. It acts. It does work. It lives. When we write, we reconfigure the world.
James Bridle • Why I Write
The sense is that in the fairly recent past there were social narratives that were both fulfilling and rewarding to participate in, but that for our generation and seemingly subsequent generations to come, it is becoming harder and harder to find and buy into a compelling shared telos. This is the sense of meaninglessness that prompts some people... See more
Everyone’s Existential Crisis
The belief that the Earth is flat is not in and of itself problematic for most people, since most people will never need to circumnavigate the globe. However, the effects on adherents’ social relationships are problematic. The belief both signals and generates frame shear, the lack of mutual intelligibility, with all except those who share... See more
Everyone’s Existential Crisis
In my new book, I came up with the word “Filterworld” to describe our interwoven environment of algorithms. These equations have become inescapable, influencing the vast majority of what we consume online — and thus what kinds of culture we consume, period. I use “filter” because algorithmic recommendations are ultimately filters that sort content.... See more
Welcome to Filterworld|Dirt
Has anyone wrote anything good on the technological effects on human affectivity? The ability of humans to feel?