State of the Arts
At a time when cultural homogenisation is on the rise, where generative AI is increasingly putting innovative creativity in competition with mass derivation, we risk a future where music diversity is also being actively commercially suppressed. The introduction of thresholds, especially where they de-monetise repertoire , but also where they apply... See more
Dan Fowler • Combating the Emergence of a Two-Tier Music Streaming Market: Analysis and recommendations to support a future industry of innovation, inclusivity, and sustainable growth

“Today musicians only keep 8% of streaming revenues, but AI will squeeze them further. Four years from now, musicians will only receive 6.4% of streaming revenues (Source: CISAC).” | Source
There is also a slightly subtler impact, noted by labels that we interviewed, on new artists, whereby their growth trajectory has been impacted due to the chilling effect on their ability to monetise the earliest stage of their career, and their access to support and services from platforms. Applying arbitrary thresholds to artists who are just... See more
Dan Fowler • Combating the Emergence of a Two-Tier Music Streaming Market: Analysis and recommendations to support a future industry of innovation, inclusivity, and sustainable growth
This occurs across a competitive backdrop in the industry that has seen increased M&A activity, be that major labels acquiring indie labels and distributors, or catalogue acquisition. Heritage rights retain a premium, and market share is being bought, arguably, at the cost of investment in new, innovative music. Independent labels talk of it... See more
Dan Fowler • Combating the Emergence of a Two-Tier Music Streaming Market: Analysis and recommendations to support a future industry of innovation, inclusivity, and sustainable growth
Music has emerged as private equity's recession-resistant darling, thanks to streaming's predictable revenue patterns and live entertainment's remarkable post-pandemic resilience.
Music tech ownership ouroboros, 2025 edition
Hellman & Friedman 's majority stake in Global Music Rights marks a watershed moment — private equity firms now control three major PROs (alongside New Mountain Capital's BMI and Blackstone's SESAC). Blackstone 's successful acquisition of Hipgnosis Songs Fund further cements institutional investors’ central role in the financialization of music... See more
Music tech ownership ouroboros, 2025 edition
Lawsuits from major publishers against Suno and Udio are not, as libertarian boosters, VCs and Tech Bros would say, an attack on innovation. They are a warning shot against a business model that turns creative labor into raw machine fuel under the pretense of fair use.
Users wishing to know more about Frédéric Chopin, after a lost waltz was discovered the other day, might Google the composer. Yet, even with any number of media reports contextualizing this discovery, the top result—for me—is still an AI-generated portrait of the composer, leading to a music page hosted by London-based music school The Masters... See more