Faith Hahn

In this scene, is unclear if Nomi (and Berkley) is so immersed in genuine passion that she has lost all control in her body or if she is so focused on her performance she has lost all sense of the erotic; it is this paradoxical state of being that disorients the viewer.

The more upset I became, the more I felt that my sensitivity towards the paintings was the same sensitivity I held when I was the subject of the photographs. The uncomfortable, complex, and often difficult intimacy of the paintings characterizes their timeless humanity. The photograph of these paintings is just a collection of symbols, of words in ... See more

What am I supposed to do? Keep standards high and fail them all? That’s not an option for untenured faculty who would like to keep their jobs. I’m a tenured full professor. I could probably get away with that for a while, but sooner or later the Dean’s going to bring me in for a sit-down. Plus, if we flunk out half the student body and drive the un... See more

The simulacrum is never what hides the truth-it is truth that hides the fact that there is none. The simulacrum is true.

A reading revolution is taking place on this notorious message board, most famous for alt-right memes, anything-goes chatter, and large-scale coordinated pranks (several hoax bomb threats organised by the site have led to arrests and mass evacuations). Users operate under total anonymity and are subject to bare-bones moderation. Most of the ideolog... See more

The inhabitants of /lit/ see themselves as the victim of anti-canon efforts, as the academy has sought to “decolonise” and expand the curriculum over the past decade. And /lit/’s reaction is hardly unreasonable: there’s a difference between great books (well-written, perhaps undiscovered) and Great Books, which stay in the accepted canon because th... See more

And the hyper-efficient assembly-line techniques that characterised ‘megalithic’ Hollywood filmmaking from the 1910s onward began to corrode as early as 1948, when an antitrust lawsuit successfully forbade the major studios from owning their own cinemas and crowding them with their own relatively low-cost films.