Seas of Thought
Metacognitive laziness: Effects of generative AI on learning motivation | Hacker News
From HN
“by an aesthetic idea, however, I mean that representation of the imagination that occasions much thinking though without it being possible for any determinate thought, i.e., concept, to be adequate to it, which, consequently, no language fully attains or can make intelligible.” (Kant)
Kant’s examples are all drawn from poetry and suggest that by
... See moreGregory L. Murphy • How We Sort the World: Gregory Murphy on the Psychology of Categories
Graham Wallas drew on Poincare ´’s account to develop a theory of the creative process as consisting of four stages: preparation, incubation, illumination and verification (or elaboration) (The Art of Thought), which was then more generally disseminated and which has been discussed by philosophers (Kronfeldner 589; Sparshott 179). But some
... See morePlato (Ion) argued that inspiration is a kind of madness and Kant (Critique of the Power of Judgment esp. sections 43–50) linked creativity to imagination; both accounts were powerfully influential on Romanticism and thereby on popular conceptions of creativity. (Gaut, The Philosophy of Creativity)
QC • gwern on Thicket Forte
In short, the kinds of actions that are creative are ones that exhibit at least a relevant purpose (in not being purely accidental), some degree of understanding (not using merely mechanical search procedures), a degree of judgement (in how to apply a rule, if a rule is involved) and an evaluative ability directed to the task at hand. As shorthand
... See moreOne of the most influential introspective reports on creativity was provided by Henri Poincare ´ who described his own experience of creativity in terms of swarms of ideas arising and combining randomly in his unconsciousness and then his selection of the most promising ones according to aesthetic criteria (‘Mathematical Creation’).
Gaut, The
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