ritual
Sarah Drinkwater and
ritual
Sarah Drinkwater and

The magic circle, a term I have borrowed directly from game studies, is the invisible perimeter between everyday life and an experience where different rules of engagement are at play. (Anthropologists call it the “ritual frame” and contemporary mystical practices call it the “container”.) The magic circle describes the limits of both the formal rules of an experience, and the informal norms that an experience allows for. It can literally feel like magic to be inside one thanks to the seemingly inexplicable shift in logic for how things happen and what is meaningful.
Even if you know what it feels like to be completely open to where your curiosity wants you to go, like Grothendieck, it is a fragile state. It often takes considerable work to keep the creative state from collapsing, especially as your work becomes successful and the social expectations mount. When I listen to interviews with creative people or
... See moreIn a survey of 1,000 adults, it was found that 30% of people were eating dinner on the couch, and 17% of people were eating it in their bedrooms—two places where there is likely a screen and likely no conversation or interpersonal gathering. Remember that rooms have rules, and when we change the room, we create a vacuum of norms.
What interests him is the exhibition as ritual. "A crowd of people is not a crowd but rather a number of individuals gathered in a space who are, contra the experience of an opera or a theatrical performance, not subject to a collective control of attention....Attention is neither monopolized nor homogenized. The exhibition is a very democratic and
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