ritual
Sarah Drinkwater and
ritual
Sarah Drinkwater and
In a survey of 1,000 adults, it was found that 30% of people were eating dinner on the couch, and 17% of people were eating it in their bedrooms—two places where there is likely a screen and likely no conversation or interpersonal gathering. Remember that rooms have rules, and when we change the room, we create a vacuum of norms.
We still instinctively long for this kind of belonging, as our sacrifices to sports teams, fraternities, or churches demonstrate.
In France, food norms are powerful and cohesive forces, while in the US food is simply a whirlwind of chaos.
Rituals are how we make meaning, personally and together.
In games studies, these worlds-within-a-world are called magic circles. A magic circle is the space where the game takes place.
We need ritual technology. Technology designed for ritual use.
Why? Most of the software we use daily is designed to engagement-max. Social media feeds, loot boxes, compulsion loops, gang gang yes yes yes ice cream so good. You’re caught in a feedback loop with the algorithm, and you are the squishiest part of that loop.
Where social media is compulsive, tools for thought are reflective. Where social media is here and now, tools for thought dwell in the long now. Tools for thought slowly build compounding momentum through low, slow feedback loops that point us in the directions we want to develop.
Even if you know what it feels like to be completely open to where your curiosity wants you to go, like Grothendieck, it is a fragile state. It often takes considerable work to keep the creative state from collapsing, especially as your work becomes successful and the social expectations mount. When I listen to interviews with creative people or
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