networked worlds

The tech industry currently stands at a crossroads. At the twilight of social media, adtech, and crypto bull markets (bubbles?), tech workers and consumers are simultaneously exhausted by tech and starving for more. Shiny trends like Artificial Intelligence and Mixed Reality stand on the sidelines ready to transform latent frustrations into... See more

Web3's potential lies in its ability to work with and for culture. In this way, we must enable our products to both shape and be shaped by our collective narratives, values, and dreams. For web3 to achieve widespread adoption, it must transcend its role as a mere technological innovation and become entirely entwined with the development of culture.

I love this mix of drama where life is lost, erosion is sad, mass extinction is terrifying; there's a creative beauty in this process of death and rebirth where the present becomes the compost of the future.

Any study of worldbuilding would be remiss without mention of Biosphere 2, the experimental facility constructed in Arizona for studying the feasibility of life in a manmade ecosystem. In 1994, Abigail Alling and Mark Van Thillo broke into the complex – or rather, attempted a break-out, and in the process brought the years-long experiment to an... See more

4/ The internet is rewiring not only the media sector (as with streaming) but the public itself, which is breaking up, or being broken, into multiple — some say parallel — realities.

As you can tell from my attempt to describe it, we do not have a good language for this shift.

Moving “the future” away from ideologies of dominance and control has become imperative. One promising model can be found in the collective known as the Tropical Futures Institute, founded by designer and gallerist Chris Fussner. Based on the party island of Cebu, Philippines, the “institute” is in fact a decentralized, roaming think tank that... See more

“How do you exhibit that? Does that create a new economy for artists? Does that require new governance structures between the institution and the artists exhibiting that work? How do we show people how exciting this is?”

Devotion Strategy