networked worlds

These historical patterns show us it is entirely human to turn to the supernatural, conspiracy, spiritualism and the occult in our effort to make sense of how new technology and media might change us, both individually and collectively. It is one big cope, to regain a sense of control in a time of uncertainty and difficulty.

We must confront a pervasive threat: the ethos of pure speculation and financialization. This approach represents a shallow interpretation of what decentralization can offer. It overlooks the deeper, more meaningful aspects of a technology that enables us to connect, collaborate, and build shared experiences across geographies and ideologies –... See more

I don't write linear script with a plot, a climax and a conclusion. I build a world, a context in which different characters explore and tell stories. This invites the viewer to understand that there's always another world, another way of life possible. It's often rich and optimistic. It opens up avenues for building a new reality.

As awful as all this is, the workarounds themselves are often delightful and clever, testaments to the wit and grace of marginalized communities. For example, sex-workers call themselves "accountants." Homophobia is called "cornucopia" and "LGBTQ" becomes "Leg Booty."

This creativity isn't limited to people I admire or agree with: anti-vaxers have a... See more

Proud to have 3FACE enter the @MuseumModernArt collection. And grateful to @outland_art for setting the stage and bridging worlds. It’s never simple nor routine for an institution to collect dynamic art - i.e. art that changes state. But it is this quality of... See more

Los Angeles, for example, has already been fully modeled by others. I didn't need to recreate it. Ditto for the desert or the puma. You go to this 3-D images supermarket and choose a palm tree pack, a piece of desert to download. This perfectly matches the mix between reality and artificiality in my projects. It's thanks to these virtual... See more

Holly+ represents the future that Herndon and Dryhurst anticipate for music, art, and literature: a world of “infinite media,” in which anyone can adjust, adapt, or iterate on the work, talents, and traits of others.