networked worlds

The structural focus of ‘hard’ and ‘soft’ science fiction alike – science fiction that accounts for scientific accuracy and logic in the first instance, and for social or political systems in the second – is more easily translated to policy or innovation than any other genre of media. It provides a ready-made framework that runs all the way from... See more

These historical patterns show us it is entirely human to turn to the supernatural, conspiracy, spiritualism and the occult in our effort to make sense of how new technology and media might change us, both individually and collectively. It is one big cope, to regain a sense of control in a time of uncertainty and difficulty.

Stories by Stephenson – which tend, predictably, towards singular heroes who win at technocracy – form the inspiration behind Amazon’s Blue Origin and Facebook’s Metaverse.

If art has a duty, it is to render visible the conditions in the world which are ubiquitous but otherwise invisible. You see where I’m going here. If you want to make an artwork depicting a person, you would do well to use oil paint, a technology that, like human flesh, absorbs and refracts light, and can be pulled taut across the canvas or else... See more

I love that summary, particularly how it catches the message of hope. Filterworld isn’t a wholesale complaint about social media; it’s a quest to figure out how we can have something better than our self-reinforcing and flattening algorithmic feeds. That is what I want people to get from reading the book, in the end. Even though digital platforms... See more