music

The study estimates that the music industry has lost over £10 million in revenue to AI-generated content, but this is likely just the tip of the iceberg. Consider that one North Carolina musician, with a relatively small-scale operation, was allegedly able to generate hundreds of thousands of fake tracks, rack up billions of plays, and syphon off... See more

In this context, Kaija Saariaho’s very last musical work, a concerto for trumpet and orchestra under the title of HUSH (2022-23), stands apart as something knowingly conceived as finale – both in personal and professional terms – winding up (as far as such action is humanely conceivable) a cycle of solo concerti, an œuvre, a life.

Unlike a more classic European operatic takedown of capitalist America—like Kurt Weill and Bertolt Brecht’s brutal “Aufstieg und Fall der Stadt Mahagonny”— these productions seem committed to imitation rather than meaning. They never elevate their scattered details to the level of myth. The productions are a collection of curios, a dress-up that... See more

The major labels are finally facing a crucial reality: Independent music's market share keeps climbing, and controlling the infrastructure behind it is becoming as vital as owning rights.

Universal Music Group's Virgin Music Group led this charge in 2024 — snapping up Downtown Music Holdings in a $775M power move (pending regulatory approval), as... See more

In many instances, companies have leveraged structural advantages to achieve seemingly unassailable positions in their relative markets. Streaming services that host user-generated content (UGC) have significant advantages over other services due to copyright ‘safe harbours’, which has led to the dominance of services like YouTube. We have been... See more