music streaming
Chronicling how music streaming services work, and reactions to them
Tony Lashley and
music streaming
Do!!You!!! World!
doyou.world
Tunes tunes tunes
Artist ownership is the way to fix Spotify’s broken streaming model (guest column)
Music Allymusically.com
In many instances, companies have leveraged structural advantages to achieve seemingly unassailable positions in their relative markets. Streaming services that host user-generated content (UGC) have significant advantages over other services due to copyright ‘safe harbours’, which has led to the dominance of services like YouTube. We have been tol... See more
Streaming sites have thus transformed into enterprises whose business is not limited to the sale of music-related services, but relies increasingly upon the collection, aggregation, and exchange of user data. A key issue this article pursues concerns the changing status of music within the commercial strategies of online streaming. While previous r... See more
Eric Drott • Music as a Technology of Surveillance
Platform pop: disentangling Spotify's intermediary role in the music industry
Robert Preyacademia.edu
In other words, streaming is a lot more profitable for all the actual value creators after we bypass these technopolies.
Ted Gioia • If I Ran a Major Record Label...
Just a moment...
crsreports.congress.gov“Because over-the-air transmission by broadcast radio stations falls outside the definition of ‘digital audio transmission,’ radio stations do not need to pay royalties to the performers, record labels, or other owners of the sound-recording copyright to publicly perform a sound recording.”