Media

For all its good intentions, art that tries to minister to its audience by showcasing moral aspirants and paragons or the abject victims of political oppression produces smug, tiresome works that are failures both as art and as agitprop. Artists and critics—their laurel bearers—should take heed.

I had countless conversations with reporters in the pre-Elon Musk Twitter era who could not fathom doing their jobs without the site, who insisted that Twitter was where sources and scoops and true insight lay. It was utterly wrong and also completely understandable in a way that made arguing about it futile: Twitter could feel like a direct... See more