Howard Blum, a former staff writer, is the first to declare the Voice “a precursor to the internet,” an idea that recurs, with diminishing shine, throughout the book’s five hundred and thirty pages. Notes of elegy sound throughout, laments for something too good to last, but also for a moment of honest and urgent revolt. When there seemed no such... See more
we define moral-emotion expression in social-media text as representational expressions of affect that reliably signal, either to others or to the self, that something is relevant to the interests or good of society, as defined by the conceptual knowledge of the expresser.
The article critiques prevailing paradigms of digital literacy, proposing a consciousness model rooted in media ecology to address the structural biases of digital communication technologies that hinder sustainability efforts.
The problem, in other words, isn't intermediation – it's power . The thing that distinguishes a useful intermediary from an enshittified bully is power . Intermediaries gain power when our governments stop enforcing competition law. This lets intermediaries buy each other up and corner markets. Once they've formed cozy cartels, they can capture... See more
Research as a way of life is having the ability and the time to question the world around you and add to its understanding. It’s defined by our access and ability to contribute to production of knowledge and evaluate the information around us.
In any case, it’s enough to make anyone feel crazy. Over the last decade we’ve watched — and while I’m talking about the tech industry, I think we can all say it’s been everywhere else too — the things we love get distanced from us so that somebody else can get unbelievably rich, the things we used to do easily made more difficult, confusing and/or... See more
Comfort, however, is not the same as healing. The frequently-invoked (pop) culture war framework conjures images of a pitched battle between ‘queer fandom’ interested in social justice and a reactionary fan identity over the soul of the culture industry. In reality what drives our culture industry is not a soul, but two basic functions of its place... See more
Varsity: “Fandom—the highest stage of capitalism?”
Your Spotify Wrapped for 2024 is the weight of all these things, whether we want to deal with it or not. AI-powered podcasts are the result of expunging the lives of the real humans who built these ideas, replacing them with a facsimile of human connection. Your data feeds into Google, and it builds you the idea of a friend in return. Artists will... See more