Media & Culture

The programmer Simon Willison has described the training for large language models as “money laundering for copyrighted data,” which I find a useful way to think about the appeal of generative-A.I. programs: they let you engage in something like plagiarism, but there’s no guilt associated with it because it’s not clear even to you that you’re... See more

Online political debate mainly involves cherry-picking the most outlandish members of the enemy side and presenting them as indicative in order to make the entire side look crazy.

The culture war is essentially just each side sneering at the other side's lunatics.

By the time the Voice had assumed its current semi-undead form, following a 2020 resurrection, the creeping irrelevance of any bounded and singular context—including that of a town, much less “the biggest media town in America”—had become the kind of thing a person might fail to notice while engaged in the ruthless business of noticing everything... See more

Howard Blum, a former staff writer, is the first to declare the Voice “a precursor to the internet,” an idea that recurs, with diminishing shine, throughout the book’s five hundred and thirty pages. Notes of elegy sound throughout, laments for something too good to last, but also for a moment of honest and urgent revolt. When there seemed no such... See more

Your Spotify Wrapped for 2024 is the weight of all these things, whether we want to deal with it or not. AI-powered podcasts are the result of expunging the lives of the real humans who built these ideas, replacing them with a facsimile of human connection. Your data feeds into Google, and it builds you the idea of a friend in return. Artists will... See more