Media & Culture

A decade ago, you paid for a smartphone to get 24/7 access to a world that, while demanding of your attention and full of advertising, was made up of a greater share of pleasurable, novel, or at least elective stuff: social media; entertainment; communication with friends; a bit of freedom from your desk at work, if you wanted it. (It provided... See more

I think the defining economic reality of the modern platform media world is that all the platforms realized that an infinite supply of teenage creators are cheaper to deal with than media companies or groups of media individuals or powerful creators. And I’m curious for your read on the number of YouTubers that you see retiring or taking a step... See more

Comfort, however, is not the same as healing. The frequently-invoked (pop) culture war framework conjures images of a pitched battle between ‘queer fandom’ interested in social justice and a reactionary fan identity over the soul of the culture industry. In reality what drives our culture industry is not a soul, but two basic functions of its place... See more

The programmer Simon Willison has described the training for large language models as “money laundering for copyrighted data,” which I find a useful way to think about the appeal of generative-A.I. programs: they let you engage in something like plagiarism, but there’s no guilt associated with it because it’s not clear even to you that you’re... See more

Perhaps this pattern of radicalisation followed by recuperation has even happened with each emergent technology – newspapers, novels, film, (pirate) radio, the Internet. Each time, the new medium has a progressive force, dehabituating people from expected relations, offering new channels for experimental activity, mediatised subcultures, and the... See more

The thing that makes “influencer” such an attractive option in those surveys is precisely this idea that it names the outcome rather than the actual work. We don’t actually have a good word for what it means to do that work. Partly this is because there are big differences between platforms (and within platforms, for that matter), and there is no... See more

Howard Blum, a former staff writer, is the first to declare the Voice “a precursor to the internet,” an idea that recurs, with diminishing shine, throughout the book’s five hundred and thirty pages. Notes of elegy sound throughout, laments for something too good to last, but also for a moment of honest and urgent revolt. When there seemed no such... See more

Some More Insight Into The Gen Z Coolness Crisis

There are four sort of low-level generational discourses circulating the web right now that I want to try and synthesize into a larger idea. There’s the weird backlash around the word “demure” going viral after a trans TikToker popularized it. There are millennials panicking that Gen Z thinks we all... See more