Media & Culture

The thing that makes “influencer” such an attractive option in those surveys is precisely this idea that it names the outcome rather than the actual work. We don’t actually have a good word for what it means to do that work. Partly this is because there are big differences between platforms (and within platforms, for that matter), and there is no... See more

Savior Complex is a slyly simplistic title.

Comfort, however, is not the same as healing. The frequently-invoked (pop) culture war framework conjures images of a pitched battle between ‘queer fandom’ interested in social justice and a reactionary fan identity over the soul of the culture industry. In reality what drives our culture industry is not a soul, but two basic functions of its place... See more

A democratic cultural politics would be developmentalist — oriented to learning, growth and discovery — rather than presentist. All kinds of resources made available by digital hyperconnectivity could support such a developmentalist cultural politics. But the algorithms that feed us what we like or register what is popular — and thereby... See more

Some More Insight Into The Gen Z Coolness Crisis

There are four sort of low-level generational discourses circulating the web right now that I want to try and synthesize into a larger idea. There’s the weird backlash around the word “demure” going viral after a trans TikToker popularized it. There are millennials panicking that Gen Z thinks we all... See more

Successful platforms do not just discover what consumers want — they produce the consumers and the forms of consumer desire that they need.

The problem, in other words, isn't intermediation – it's power . The thing that distinguishes a useful intermediary from an enshittified bully is power . Intermediaries gain power when our governments stop enforcing competition law. This lets intermediaries buy each other up and corner markets. Once they've formed cozy cartels, they can capture... See more

In the digital age, cultural artifacts are eroded by abundance. Timelines layer and compress artwork, images, and artifacts into corners of the internet. In my corner, I stumbled across a speech entitled “Perfume, Defense and David Bowie’s Wedding” delivered by Brian Eno in 1992 at the Sadler Wells Theatre in London. In it, Eno predicted the... See more