Media & Culture

Savior Complex is a slyly simplistic title.

In any case, it’s enough to make anyone feel crazy. Over the last decade we’ve watched — and while I’m talking about the tech industry, I think we can all say it’s been everywhere else too — the things we love get distanced from us so that somebody else can get unbelievably rich, the things we used to do easily made more difficult, confusing and/or... See more

we define moral-emotion expression in social-media text as representational expressions of affect that reliably signal, either to others or to the self, that something is relevant to the interests or good of society, as defined by the conceptual knowledge of the expresser.

A decade ago, you paid for a smartphone to get 24/7 access to a world that, while demanding of your attention and full of advertising, was made up of a greater share of pleasurable, novel, or at least elective stuff: social media; entertainment; communication with friends; a bit of freedom from your desk at work, if you wanted it. (It provided... See more

The stasis debate is actually just about two specific topics: (1) whether 21st century culture offers the feeling of artistic progress, where new styles/practices devalue previous ones, thereby creating clear chapters in the historical timeline, and (2) whether there are new techniques in symbolic activity that expand how we perceive the world and... See more

The slots that books that connected with readers once occupied are now increasingly occupied by the equivalent of the botshit that fills the first eight screens of your Google search results: book-shaped objects that have gamed their way to the top of the list.

The programmer Simon Willison has described the training for large language models as “money laundering for copyrighted data,” which I find a useful way to think about the appeal of generative-A.I. programs: they let you engage in something like plagiarism, but there’s no guilt associated with it because it’s not clear even to you that you’re... See more