One evening, in the horizontal light, soft and colourful, with an acute sense of my depravity, having just published a piece with the phrase ‘satyric schlong’ alongside observations from a nudist bathhouse in Sweden, I sought refuge in the pages of Kafka’s diaries, that ‘twenty-first century Dante.’
Houellebecq wore his biography, professional identity, marital status, and psychiatric condition – everything modern society considers intrinsic and defining of the individual – as an amusing costume to be played with and discarded. He frees himself through his work from the straitjacket of ‘identity politics’ which placates its prisoners, like a K... See more
It’s hard to talk about “masterpieces” because the concept trades on a theory of aesthetics that is controversial when spelled out (aesthetic value realism; maybe even a kind of Platonism about beauty) and difficult to defend, but which we all nevertheless subscribe to intuitively.