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Cargo
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JOHN WILSON, “BLACK DISPAIR,” 1945, OIL ON MASONITE
Philip Guston
‘There is something ridiculous and miserly in the myth that we inherit from abstract art: That painting is autonomous, pure and for itself, and therefore we habitually analyze its ingredients and define its limits. But painting is ‘impure.’ It is the adjustment of ‘impurities’ which forces painting’s continuity.’[9]
Resilience: Philip Guston in 1971 - Ursula - Hauser & Wirth
Oh yes. Bob Motherwell said— ‘fine paintings but Phil should have left out the objects.’ As they used to say in grammar school, ‘If your Aunt had nuts, she’d be your Uncle.’
Resilience: Philip Guston in 1971 - Ursula - Hauser & Wirth
MINE.PINK
mine.pink
Philip Guston: A Life Lived
Notes:
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Modern Painting- It was too easy to elicit a response, so much sympathy. Wanted specificity in work.
Appearances-Style-Survival-Circular
Dissolved & Figuration
State of Creation. Stay in that state! "The object isn't to make art, it's to be in that wonderful state which makes ar
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