We live in a world where movies aren’t considered art, but intellectual property. They’re “content,” little chunks of stuff that can be licensed, extended, remixed, rebooted, made into bedsheets and amusement park rides and whatever else will make money. It’s how the business has worked for half a century or more.
Spirits and Logistics: How Grantmakers, Universities, and Arts Institutions Start Working with the BIPOC-Led Cooperative Movement to Build the Future of Art Education