digital life—digital cultures
to write about the internet in a post-COVID world, specifically, means that you will have to write about everything because everything is now finally online. It’s not uncommon that I start questioning what the internet even is anymore. Is it the memes we share? Is it the platforms we share them on? Is it the infrastructure that underpins those... See more
Garbage forever
So which direction are we moving in? Down the same old path – where identity is just content, content is monetised, and monetisation demands a steady drip of oversharing and low-key emotional collapse? Or could we actually start to build new ways of being online? Ones that prioritise people as people, and not just scrolling spectacle?
Until then,... See more
Until then,... See more
Humiliation Rituals
“Authenticity”, I think, looks like the power to opt in or out, perform or not, when you want to—in other words: freedom. So when it comes to the Internet, if switching off entirely isn’t possible any more, then surely the words of MGMT can be useful: “control yourself, take only what you need from it.”
The New Nostalgia
During the Romantic era, keepsakes were albums of fine engravings, often given as gifts, that sealed an emotion or celebrated a special occasion. This word, which combines to keep (to keep, preserve) and sake (a mark of friendship or consideration), takes on a particular resonance in our digital culture. At its core, it holds tensions related to... See more
Laurent François • The promises of digital keepsakes
Dec 03, 2024
Moskowitz blames techno-capitalism’s monetisation of human emotion. Social platforms, they argue, create environments in which users willingly contort themselves into ever more extreme versions of themselves – louder, cringier, more exposed – just to be seen. It’s the natural byproduct of systems that reward emotional spectacle and penalise silence... See more
Humiliation Rituals
We have been an essentially colonial civilization since the first enclosed farm, since agriculture, really, but definitely since territorial wars, slavery, and resource extraction. It’s what we do - not just with imperial armies, but with basic capitalism. This is our average. Our normal. A digital media environment with algorithms and AIs... See more
Douglas Rushkoff • Pockets of Weird: The Fight Over Reality
It’s not just movies and TV, of course — we’re all aghast at how much time we spend on devices, consuming content , whatever that means. Reading and watching and posting and shopping, always shopping for things and ideas and comfort and distraction. Surely this endless marketplace will turn up something that satisfies us at some point! I complained... See more
nytimes.com • Works of Art - The New York Times
This all isn’t to say that there was nothing novel about TikTok. It obviously did give Americans genuinely new ways to communicate and create culture, but the culture we created with it was always there. Thanks to TikTok, America finally saw itself and it scared us. It turns out Americans don’t talk the way we think they should, don’t dress the way... See more
Holding up a mirror to America
As the Internet became an always-on, mainstream phenomenon, however, it also reverted to the mean. Influencer culture happens at scale. It’s not about finding the bizarre nooks and crannies of weird, but reaching as many people as possible. Hit counts and numbers of followers are all that matter. It is about getting bigger, rather than smaller.... See more
Douglas Rushkoff • Pockets of Weird: The Fight Over Reality
Pockets of Weird: The Fight Over Reality
A new Team Human Live with Occult Historian Mitch Horowitz
Dec 18, 2024