digital life—digital cultures
Keepsakes—like luxury watches or rare books—are already finding their place in the second-hand market, attracting collectors and enthusiasts of contemporary relics. In the future, digital keepsakes could also acquire invaluable worth. Imagine, for example, a Friend pendant worn by a major celebrity or a groundbreaking scientist. This small object,... See more
Laurent François • The promises of digital keepsakes
Dec 03, 2024
As much as I share his concerns, this book repeatedly made we want to yell back at him for willfully underplaying obvious exceptions and counterarguments.
Chief among these is to what degree Chayka’s “flattening” is anything new. When he writes, “If anything, mass culture lately appears more aesthetically homogenous than ever,” he seems to forget... See more
Chief among these is to what degree Chayka’s “flattening” is anything new. When he writes, “If anything, mass culture lately appears more aesthetically homogenous than ever,” he seems to forget... See more
bookforum.com • Kyle Chayka Looks at Our Supposedly Flat New World
If AI is able to suddenly pump slop into our environment it’s only because we already turned on the faucets ourselves. Just think about all the garbage content that people you actually know send you via text, or the DMs that feel like they’re from bots but are actually from real people driven by platform incentives (Instagram, LinkedIn, Facebook,... See more
Slop as a Way of Life | Dirt
In “This Is for Everyone,” Berners-Lee argues that the web’s lack of compassion is “a design issue ” that can be fixed. “There’s still time,” he writes, “to build machines that serve the human,” that “promote the dignity of our fragile species on this isolated globe.” It’s a moving vision. But it’s hard to reconcile with the entropy of today’s... See more
Tim Berners-Lee Invented the World Wide Web. Now He Wants to Save It
It seems clear that AI art’s biggest utility right now is aspirationalism. The ability to quickly and cheaply generate a vision of the future for Trump supporters. And I’ve written before about how AI art is to modern fascism what futurism was to 20th-century fascism, but the Homeland Security X account posting a Thomas Kinkade painting — and a... See more
Trump's big, beautiful gulag
In order to make room for this weird, this liminal zone of possibility, we need to get off the grid-like map of quantized utility and grow a culture instead. We do this together by forming clusters of human weirdness; groups of people with varying forms of space, voltage, and potential between them. We need a cohort, a rabble...what Jews call a... See more
Douglas Rushkoff • Pockets of Weird: The Fight Over Reality
During the Romantic era, keepsakes were albums of fine engravings, often given as gifts, that sealed an emotion or celebrated a special occasion. This word, which combines to keep (to keep, preserve) and sake (a mark of friendship or consideration), takes on a particular resonance in our digital culture. At its core, it holds tensions related to... See more
Laurent François • The promises of digital keepsakes
Dec 03, 2024
We have been an essentially colonial civilization since the first enclosed farm, since agriculture, really, but definitely since territorial wars, slavery, and resource extraction. It’s what we do - not just with imperial armies, but with basic capitalism. This is our average. Our normal. A digital media environment with algorithms and AIs... See more