culture
“The contemporary man should not find it difficult to play a role in which modern life is casting him. Glued to his movie or television screen, fed his daily dose of scandals, always watching and never acting, he has become a Peeping Tom.”
Leo Nasskau • René Girard, mimetic desire, and society's biggest rat race
In the early 2010s, a new phenomenon emerged called an “Instagram wall”. In part, it was an outgrowth of the street-art movement of the 00s, a gentrification of graffiti that saw clean, officially sanctioned murals take over city walls, particularly in neighbourhoods where decrepit warehouses were plentiful. Street art became an attraction in and... See more
Kyle Chayka • The tyranny of the algorithm: why every coffee shop looks the same
Instead, art and culture have been safely neutralized as interchangeable commercial objects just like everything else.
At its best, cultural criticism is love and art that exists to give love to other expressions of art. It’s beautiful in its indulgence. A positive feedback loop that gives everybody exactly what they desire. Gods, scribes, muses, an audience, a culmination. This is what we want out of art. Something that feels grand, meaningful, connected to the ages. That doesn’t happen on its own. It needs context, dedicated space, deeper knowledge, appreciation.
Your personal experiences make up maybe 0.00000001% of what’s happened in the world but maybe 80% of how you think the world works.
collabfund.com • Ideas That Changed My Life
Who doesn’t love a good manifesto? A manifesto is a form of magic. You take mere words, mere gushes of air, mere lines and curves, mere tokens, and you alchemize them into something tangible. Manifest, manifold, manumission—from the Latin manus, meaning hand. Hands point and hold. Hands waive. According to Derrida, we cannot use our hands and look... See more
Zohar Atkins • Lightning: A Manifesto
Love bombing, gaslighting, and the problem with pathologising dating talk
James Greigdazeddigital.com
For all its good intentions, art that tries to minister to its audience by showcasing moral aspirants and paragons or the abject victims of political oppression produces smug, tiresome works that are failures both as art and as agitprop. Artists and critics—their laurel bearers—should take heed.
Anastasia Berg • On the Aesthetic Turn | The Point Magazine
To me, the significance of the theory is its introduction of a coherent frame by which we can better understand root causes for the complex array of global catastrophic risks and the prevailing crises that humanity currently faces. Critically, the Metacrisis theory also calls to our attention a staggering hidden premonition: our civilization... See more