culture

The young would-be feminists flocking to “WitchTok” for advice on how to conjure love and manifest success are hardly atheists. Neither are the young men of the right who, if not crowding back into traditionalist churches, grope for a spirituality of strength, vitality, and meaning among the aesthetic ruins of ancient warrior cults. These are... See more

It’s hard to talk about “masterpieces” because the concept trades on a theory of aesthetics that is controversial when spelled out (aesthetic value realism; maybe even a kind of Platonism about beauty) and difficult to defend, but which we all nevertheless subscribe to intuitively.

And the hyper-efficient assembly-line techniques that characterised ‘megalithic’ Hollywood filmmaking from the 1910s onward began to corrode as early as 1948, when an antitrust lawsuit successfully forbade the major studios from owning their own cinemas and crowding them with their own relatively low-cost films.

Joyless is the operative word, one that links bimbos and tradwives in their pursuit of pleasure, no matter how much reality it requires you to ignore, or how much oppression, disrespect, and dehumanization it requires you to endure. Feminism becomes a scapegoat for capitalism’s ills, while marriage starts to look like a safe haven. But that... See more

Girard believes that this concept permeates every aspect of society. “Enlightenment concepts of the individual persist all the way into existentialist thought,” he argues. In espousing equality between all men, the Enlightenment propagated the belief that the individual should not be subsumed to another. Indeed, the individual should not be... See more

The dream of a Liberal (arts) education—which is the scaled, democratic form of the Keatsian ideal of negative capability—cannot hold up when liberalism itself is held to be suspect.

In reality, Spotify was subject to the outsized influence of the major-label oligopoly of Sony, Universal, and Warner, which together owned a 17 percent stake in the company when it launched. The companies, which controlled roughly 70 percent of the market for recorded music, held considerable negotiating power from the start. For these major... See more