culture
Streaming sites have thus transformed into enterprises whose business is not limited to the sale of music-related services, but relies increasingly upon the collection, aggregation, and exchange of user data. A key issue this article pursues concerns the changing status of music within the commercial strategies of online streaming. While previous... See more
Eric Drott • Music as a Technology of Surveillance

The writing is getting better. The ideas are getting worse. There’s a new genre of essay that other academics reading this will instantly recognize, a clumsy collaboration between students and Silicon Valley. I call it glittering sludge .
Brian Klaas • The Death of the Student Essay—and the Future of Cognition
The 1,000 True Fans Theory works for monetization but not for social impact.
In some ways, book reviewers, critics, book club hosts, readers, and even the writers themselves, are engaged in a long war against the idea of fiction itself, involving the reverse-engineering and geolocation of various hurts and harms in the psychology of the writer. We are, at least in America, a nation trained in the arts of literary analysis,... See more
Brandon • emotional support trauma plot

Gen AI for music has captured ~$300M in funding so far this year across several high-profile deals, the majority of which either focus on rights management and attribution (Musical AI, Vermillio, BRIA AI) or emphasize B2B partnerships (Music AI, ElevenLabs).
This suggests that industry alignment, rather than disruption, is the thesis that investors
Source: Water & Music, H1 2025: THE YEAR SO FAR IN MUSIC TECH DEALS