culture

The unabated “creative destruction” of one kind of capital after another has only further increased the wealth of a few and done nothing to emancipate the overall collective creative spirit, which has remained stagnant. Today, almost every artistic effort inevitably (perhaps unknowingly) reinscribes the values of the ruling capitalist class.

The Antitrust Division will hopefully respond with “No, your search engine was awesome, but it’s increasingly ad-filled crap. You’re too powerful, you’re too lazy, and America needs some real competition.”

And the hyper-efficient assembly-line techniques that characterised ‘megalithic’ Hollywood filmmaking from the 1910s onward began to corrode as early as 1948, when an antitrust lawsuit successfully forbade the major studios from owning their own cinemas and crowding them with their own relatively low-cost films.

The Keatsian endeavor has never been popular, but is particularly unfashionable today. Religious fundamentalists reject it on the grounds that revelation and commitment are needed to orient oneself in the world. The amorality of a poet who is a “thoroughfare for all thoughts” risks heresy or destabilization. Tell me where you stand, where your... See more

It’s intended as a nuanced, edgy twist on “the discourse”, and a reference to intersectional theory to highlight and preclude the most privileged women’s likelihood to ignore the varying needs of those yet less fortunate. However, especially given its popularity with the pregnancy-causing half of the population, it reads more as an ignorant and... See more