culture
If Apple wanted to offer exclusive music, they would cut a deal with Taylor Swift. They have the cash to do it. They wouldn’t waste time on locking up Kalevi Aho. That’s so obvious I shouldn’t even have to say it, but (given all the smoke and mirrors here), I really do.
So we’re clearly dealing with the bad Apple here. And the fact that the company... See more
So we’re clearly dealing with the bad Apple here. And the fact that the company... See more
Ted Gioia • Nobody Will Tell You the Ugly Reason Apple Acquired a Classical Music Label
The inhabitants of /lit/ see themselves as the victim of anti-canon efforts, as the academy has sought to “decolonise” and expand the curriculum over the past decade. And /lit/’s reaction is hardly unreasonable: there’s a difference between great books (well-written, perhaps undiscovered) and Great Books, which stay in the accepted canon because... See more
How 4chan became the home of the elite reader
Part of the problem with the Lean Startup mindset is that it sees life and work as an optimization problem. The point is to help people live a good life, not just an efficient life. The goal is human flourishing, not convenience. The goal is a good future, not just a technically advanced future.
Things I'm thinking about
The prestige recession
ystrickler.com
Instead, art and culture have been safely neutralized as interchangeable commercial objects just like everything else.
At its best, cultural criticism is love and art that exists to give love to other expressions of art. It’s beautiful in its indulgence. A positive feedback loop that gives everybody exactly what they desire. Gods, scribes, muses, an audience, a culmination. This is what we want out of art. Something that feels grand, meaningful, connected to the ages. That doesn’t happen on its own. It needs context, dedicated space, deeper knowledge, appreciation.
In reality, Spotify was subject to the outsized influence of the major-label oligopoly of Sony, Universal, and Warner, which together owned a 17 percent stake in the company when it launched. The companies, which controlled roughly 70 percent of the market for recorded music, held considerable negotiating power from the start. For these major... See more
Liz Pelly • The Ghosts in the Machine
One thinks of Amit Majmudar, Christian Wiman, Tracy K. Smith, Ryan Wilson, and many others. These poets are only rarely published in prestigious publications (or, at least, publications with a prestigious legacy), and the group that should be the biggest supporter of these poets—conservatives—has tended to ignore poetry and the arts. When... See more