culture

Salmon don’t have a cosmic story that they talk about. They are born into the world and they instinctively know the direction in which they need to swim. It’s built into their DNA, inherent in their being. People, on the other hand, need stories that are created and expressed through culture in order for us to find our way forward.

Even if, for a while, I feigned hatred of rock and roll, that only made sense on the presumption of its continued reign. Much the same could be said about liberal democracy. Today, American global hegemony looks like nothing more than a desperate reprisal of a role that must be ceded sooner or later; gone is the possibility of taking it for granted... See more

For all its good intentions, art that tries to minister to its audience by showcasing moral aspirants and paragons or the abject victims of political oppression produces smug, tiresome works that are failures both as art and as agitprop. Artists and critics—their laurel bearers—should take heed.

“As humans we are involved in a dance with things that cannot be stopped, since we are only human through things,” says Hodder. We will continue to perform lifestyles made possible by the Internet whether individual social media platforms survive or not, and even, especially, if we log off for good. Social media altered the world in the same way... See more

The merging of personalisation and generation represents the ultimate optimisation for media production. Everybody satisfied, all of the time.

But such a simplistic optimisation overlooks the broader implications – those that differentiate entertainment from culture. They inspire a cascade of questions, such as how is human culture changed if we

... See more

Streaming sites have thus transformed into enterprises whose business is not limited to the sale of music-related services, but relies increasingly upon the collection, aggregation, and exchange of user data. A key issue this article pursues concerns the changing status of music within the commercial strategies of online streaming. While previous... See more

And the hyper-efficient assembly-line techniques that characterised ‘megalithic’ Hollywood filmmaking from the 1910s onward began to corrode as early as 1948, when an antitrust lawsuit successfully forbade the major studios from owning their own cinemas and crowding them with their own relatively low-cost films.