Cultural Criticism

One thinks of Amit Majmudar, Christian Wiman, ­Tracy K. Smith, Ryan Wilson, and many others. These ­poets are only rarely published in prestigious publications (or, at least, publications with a prestigious legacy), and the group that should be the biggest supporter of these poets—conservatives—has tended to ignore poetry and the arts. When conserv... See more

The young would-be feminists flocking to “WitchTok” for advice on how to conjure love and manifest success are hardly atheists. Neither are the young men of the right who, if not crowding back into traditionalist churches, grope for a spirituality of strength, vitality, and meaning among the aesthetic ruins of ancient warrior cults. These are peopl... See more

It’s intended as a nuanced, edgy twist on “the discourse”, and a reference to intersectional theory to highlight and preclude the most privileged women’s likelihood to ignore the varying needs of those yet less fortunate. However, especially given its popularity with the pregnancy-causing half of the population, it reads more as an ignorant and unt... See more

There’s also an almost unbearable sense of intimacy between author and reader — Céline famously said “what interests me is a direct message to the nervous system.” His total reliance on ellipses forecloses the cheap little tricks used to construct the artifice of what we are told is “good” writing: the strategic period, the melodramatic line break,... See more

One thing I’ve also noticed is the gradual loss of the understanding of “imagination” as a category; it can sound a little Reading Rainbow to talk about, but wouldn’t you know imagination is actually an essential part of the human condition. In so far as the words “spirit” or “spirituality” mean anything beyond woo-woo or cliché they must include t... See more

14. All those nasty, rebellious songs that defy authorities are now owned by hedge funds.

if you drive through Culver City you will see billboards for Amazon movies everywhere. Why? Because the directors who come to the studio lot to take a meeting there to make a movie, they drive there and they’re like, ‘Oh they’re marketing my movie.’ But they’re not.”

We can always opt out of this arrangement, of course, and live happily in meatspace, but that is precisely the point: Offline we exist by default; online we have to post our way into selfhood.

To be honest, my appetite for this sort of online blowup diminishes hourly. Though I’m as prone to schadenfreude as any other media professional trying to hold onto relevance in an increasingly winner-take-all economy, there’s something about watching extremely online people have noisy meltdowns that makes me feel like I’m inhaling my own body odor... See more