Cultural Criticism
The man we call an adventurer...is one who remains indifferent to the content, that is, to the human meaning of his action, who thinks he can assert his own existence without taking into account that of others. The fate of Italy mattered very little to the Italian condottiere; the massacres of the Indians meant nothing to Pizarro; Don Juan was unaf... See more
Malaparte vs. de Beauvoir; Idi Amin and the Mamdanis' Antifascism
Simone de Beauvoir, The Ethics of Ambiguity
Goldman Sachs’ latest Music In The Air report is forecasting that the “superfan” market could be worth $4.3bn globally next year. The subtext here is that this needs to become a priority focus for the music business as recorded music revenues actually fell short of Goldman Sachs’ expectations in 2024, causing it to downgrade its forecasts for this ... See more
O Superfan: How Rock & Pop's Elite Screw their Loyal Supporters – and why it won't Work | The Quietus
if you drive through Culver City you will see billboards for Amazon movies everywhere. Why? Because the directors who come to the studio lot to take a meeting there to make a movie, they drive there and they’re like, ‘Oh they’re marketing my movie.’ But they’re not.”
Will Tavlin • Casual Viewing | Will Tavlin
these figures remain a sham. To get to 6.7 million, Netflix first tallies the film’s “viewing hours,” the total amount of time that users have spent streaming the movie. Here, Netflix makes no distinction between users who watch Sweet Girl all the way through, those who watch less than two minutes, and those who watch just a few seconds thanks to a... See more
Will Tavlin • Casual Viewing | Will Tavlin
Earlier this year, English National Opera were subject a small Twitter storm when somebody realized that the composer biographies on their website included a number of embarrassing errors: that Benjamin Britten—still alive—had written the music to Franco Zeffirelli’s film “Romeo and Juliet,” and that “the apple didn’t fall far from the tree” with R... See more
Article
Like a town built around a mine, an entire ecology has sprung up around the seemingly inexhaustible resources of Kononenko’s fortune and Ishkhanov’s energy as an organizer. That ecology is Shorworld: a labyrinthine network that intersects with the mainstream classical music industry while duplicating many of its structures. And though the organizat... See more
Welcome to Shorworld
The qualities of the Met’s new pieces—literalness, signposting, pat plotlines, an impatience with the slightest ambiguity—are key tenets of second-screen television. They are also irreconcilable with good opera, in which text and music subvert one another and pieces permit manifold interpretations. In Don Giovanni, for example, Mozart quite intenti
... See moreThrough the Opera Glass, Jeffrey Arlo Brown. Source.
The more upset I became, the more I felt that my sensitivity towards the paintings was the same sensitivity I held when I was the subject of the photographs. The uncomfortable, complex, and often difficult intimacy of the paintings characterizes their timeless humanity. The photograph of these paintings is just a collection of symbols, of words in ... See more
Objectifying Expression
The simulacrum is never what hides the truth-it is truth that hides the fact that there is none. The simulacrum is true.
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RIP Baudrillard. You would’ve loved Sabrina Carpenter and ChatGPT.