conversational creativity

Ray Bradbury talks about the importance of not thinking when he is writing. He says that when he arrives at the typewriter, his task is to be living. To let his soul pour out onto the page. To quiet the mind and let his body do the talking. Then, he checks his work afterwards using the mind as a ‘corrective force’ to refine. But he uses the body to... See more

Sometimes you know a thing in your soul,

and you can’t unknow it no matter

how much trouble it makes.

"Artifacts of humanity" in creative work — in the form of dust, mistakes, and deliberate strokes that flex human engagement — will showcase the human labor spent making a creation. Such artifacts of humanity, alongside Content Credentials that factually articulate how a piece of work was made, will add meaning and scarcity to the work in the eyes... See more

the most transformative dialogues often feature exploration rather than predetermined outcomes. We don’t know what we want, and we use conversation to get closer to articulating our desire. Some conversations are infinite, like games for their own sake.

Dostoevsky, unlike most other authors, treats his characters as full individuals, as if they are too big to fit in his head: he isn’t using them as mouth pieces but is listening to them. His books are polyphonic: they are made up of a multitude of voices, each with their own inner logic and perspective, and there is no voice that stands above the... See more

the price you pay for depth is slowness

A good conversation is an act of joint exploration. Somebody floats a half-formed idea. Somebody else seizes on the nub of the idea, plays with it, offers her own perspective based on her own memories, and floats it back so the other person can respond. A good conversation sparks you to have thoughts you never had before. A good conversation starts

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