Curation
The art of creating value by providing context and meaning to apparently disconnected information bits
Robin Good and
Curation
Kim Kardashian doesn’t wear archival Galliano because it’s expensive; she wears it because it’s impossible to obtain.
In luxury, scarcity drives desire, but contemporary scarcity is manufactured. Limited drops, seasonal exclusives, and numbered editions are ultimately all accessible to anyone with enough money. True archives are different. They’re... See more
In luxury, scarcity drives desire, but contemporary scarcity is manufactured. Limited drops, seasonal exclusives, and numbered editions are ultimately all accessible to anyone with enough money. True archives are different. They’re... See more
Why Fashion Is Obsessed With Archives
All curation grows until it requires search, and all search grows until it requires curation.
ben-evans.com • Lists Are the New Search — Benedict Evans
The age of directories is upon us.
In Museums and the Interpretation of Visual Culture , Eilean Hooper-Greenhill documents how museum work “has involved the establishment of a canon” through which order is created “by giving authority to certain texts, figures, ideas, problems, discursive strategies and historical narratives” (Hooper-Greenhill, 2000b, 20). This process of “boundary... See more
Curating the Digital World: Past Preconceptions, Present Problems, Possible Futures | MW2013: Museums and the Web 2013
Museums and the their role in developing culture - Boundary maintenance and the curation canon: can there be rules for what is of value and what is not?
Opportunity to update the museums and art gallery curation canons as well as those of who curates content and resources - of whatever kind - online
Sommeliers emerged as luxury goods in a world where the product (wine) was getting commoditized, and curation was the new differentiator. That’s exactly where jobs are headed.
Sangeet Paul Choudary • Humans as 'luxury goods' in the age of AI
What the sommeliers figured out, before the rest of us eventually do, is that value is not in giving people more information. It’s in giving them confidence in a moment of uncertainty, making them feel like connoisseurs even if this is the first sip they’ve ever had.
Same thing with experiences. We collect travel destinations like we are checking boxes on some cosmic to-do list. Forty countries before forty. Every national park. Every Instagram-famous café. We move so fast trying to acquire the experience that we never actually have it. A curator would slow down. Would spend three days in one museum instead of... See more
You’re a Collector Pretending to Be a Curator
Curating = Unpacking for a General Audience
Thomas B. Campbell, Director of the Metropolitan Museum of Art in New York, shares in this TED video, his journey to become a respected museum curator, and the valuable discoveries and insights realized along the way.
This passage, in particular, struck with me louder than a thousand words:
"We live in an age of ubiquitous information, and sort of "just add water" expertise, but there's nothing that compares with the presentation of significant objects in a well-told narrative... what the curator does, the interpretation of a complex, esoteric subject, in a way that retains the integrity of the subject, that makes it -- unpacks it for a general audience."
Your world grows with every authentic creation, every genuine connection, every true expression.
Not because you're trying to be discovered, but because you're focused on what's worth discovering.
Don't create something to be consumed. Create something to be explored.
Not because you're trying to be discovered, but because you're focused on what's worth discovering.
Don't create something to be consumed. Create something to be explored.