Connor Doc

Shot on Red Komodo FVPro 16mm output with use of 250D & 500T negatives + mix of Cineon output + Print Standard SG1 (Negative/Telecine Emulation)

‘Beyond the Endless Light’ Director: @salomonligthelm DOP: @farhadghaderi_ 2nd unit DOP: @iaintrimble Sound: @ballad.co Shot on: @kodak_shootfilm Colour by: @_baconx_ Graded on: @filmlight_ #baselight

APRIL | 500T 35mm 🎧 Listen to our latest Kodakery podcast episode where we talk about APRIL with Cinematographer Arseni Khatchaturan about the creation of this provocative film, his continued collaboration with director Dea Kulumbegashvili and how he continues to push the envelope in his career. The Kodakery podcast is available wherever you get your podcasts, or tap the link in our bio to listen. APRIL is in select cinemas Nationwide. #ShotOnFilm #35mm

Commercial Feature: Orient Express - “Moved By” (DC) Director: @jonas_lindstroem DP: @niconiermann Editor: @simon_colin_editor Colorist: @mathieucaplanne 1st AC: @see_eden Wardrobe Stylist: @victoiresimonney Producers: @nathalielecaer & @oumyouma Agencies: @wefolkagency & @mazarinegroup Production Company: @iconoclast.tv

Very proud to share new work I directed for @poncho_outdoors last month. Spent a couple of days wandering around a 50,000 acre cattle ranch with a nimble but amazing team. Felt less like a production and more like summer camp. Shout out to @logan.crable for trusting us with this. Director: Wes Ellis DP: @erikgatling 1AC: @oscardelagarza Sound Recordist: @carolinaaliciacg Creative Director/Producer: @logan.crable Sound Design: Nathan Bracher Colorist: @arthurgaribay Lab: @fotokem_la Production: @toy.astronauts Special thanks to @kodakfilmlabatl @mpsfilm @shorthand_camera