Being a product person
Aesthetics are important in creating the appeal of products that underpins their longevity. ,25, In these instances, 'the 'product' would be a fusion of psychological and external 'realities', the user would become a protagonist and co-producer of narrative experience rather than a passive consumer of a product's meaning. The mental interface... See more
Jonathan Alexander Chapman • Emotionally Durable Design: Sustaining relationships between users and domestic electronic products
Like the Turin shroud, the cloth bears witness and registers the happening for posterity. Once again, the image is static, but the traces left on the ‘tablecloth’ are a reminder of the unique but random social intercourse that took place as the meal advanced in time. To our minds, this more accurately captures the event than the first drawing.... See more
Sarah Wigglesworth • The Disorder of the Dining Table
Paper Clips
officemuseum.comNow thinking about creating a movement to promote "hobbit software". Pretty chill, keeps to itself, tends to its databases, hangs out with other hobbit software at the pub, broadly unbothered by the scheming of the wizards and the orcs, oblivious to the rise and fall of software empires around them.
Oh, the Electron empire is going to war with the... See more
Oh, the Electron empire is going to war with the... See more
Dave Anderson • Dave Anderson (@danderson@hachyderm.io)
Contents
hypermedia.systemsDreamsongs
dreamsongs.comSummarizing Kola 🔑’s idea from a conversation:
Our methods of critiquing software are shallow. We have reviews, reactions, tutorials, puff-pieces, and clout-chasers. It’s important to have independent, thorough, and cultural critique, and it should be distributed among those who are building the future (The Paolo Alto Review).
This isn’t about
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