becoming a better writer
In many ways, writing is the act of saying I, of imposing oneself upon other people, of saying listen to me, see it my way, change your mind . It’s an aggressive, even a hostile act. You can disguise its aggressiveness all you want with veils of subordinate clauses and qualifiers and tentative subjunctives, with ellipses and evasions—with the whole... See more
Joan Didion • Joan Didion: Why I Write
fiction is made out of experience, your whole life from infancy on, everything you’ve thought and done and seen and read and dreamed. But experience isn’t something you go and get—it’s a gift, and the only prerequisite for receiving it is that you be open to it. A closed soul can have the most immense adventures, go through a civil war or a trip to... See more
Ursula K. Le Guin May 24 • Ursula K. Le Guin on How to Become a Writer
from the radio producer Ira Glass, on feeling disappointed by your own work:
All of us who do creative work...get into it because we have good taste. But there’s a gap. For the first couple years that you’re making stuff, what you’re making...It’s not that great. It’s really not that great. It’s trying to be good, it has ambition to be good, but it’... See more
Celine Nguyen • The Divine Discontent
In fact, the more obviously conceptual a dish is, the less powerful it will be. This is something that still bothers me about our ceci e pepe dish. If I could do it again, I wouldn’t call it that—I’d name it something like chickpeas with buttered noodles. Ceci e pepe is too explicit. It’s telling diners what to think instead of letting them draw th... See more
David Chang • David Chang’s Unified Theory of Deliciousness
applies to writing, too
But busyness has a way of stealing creativity from you. Generative work, like art and writing, requires long periods of nothingness: it’s only in that wide empty space that ideas emerge. Long runs, hot showers, commutes that don’t involve harried Slack messages and listening to podcasts at 2x speed. Sitting at the edge of a dock, listening to the o... See more
Jasmine Sun • the scenic route
So, last year, I decided to throw more work at my students...I added something I call “craft journals.” Each week, in addition to reading their peers’ work, my students choose from a bank of 100+ stories, each of which offers specific craft lessons...They then write about their chosen story in a “craft journal.” They reverse-outline each piece to t... See more
Celine Nguyen • How to Begin
My prose has tightened, the excess trimmed. Information efficiency is paramount. I write like the 12 dollar desk salad, the bar that packs 20 grams of protein and plastic into one 200-calorie brick. But good writing, like a good meal, needs fat. It should indulge readers, is meant to be chewed and enjoyed, affording a generous escape from the prosa... See more
Jasmine Sun • 🌻 Audience of One
“I can feel jealous of David Sedaris’s fame, I can feel like I’ll never get to that point, but I should ask myself: am I doing 15 or 20 full rewrite drafts of my essays? Am I pushing myself to search for a universal feeling, for a moment of poignancy, and for a laugh, all in the same piece? Am I doing what he did, in my own way? No, no, and no. I a
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