Authenticity

To go wrong in one’s own way is better than to go right in someone else’s.

— Fyodor Dostoevsky, Crime and Punishment

Meanwhile, a fixation on honesty continues to pervade popular arts discourse, music included. Indie scenesters have historically been the ones to agitate most over authenticity, but in the golden age of confessional pop music, the aesthetic concern with honesty isn’t limited to subculture anymore. Direct access to artists’ personal lives seems more

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make decisions using our own creative values, not “industry standards.” We design our work and worlds from our best intentions, not our worst fears.

‘Do not try to be the best. Be the only.’ It helps me believe in a positive-sum world—where my success does not hinge on the failure of others, and I am not in a rat-race.” — Nishant Jain

Swept up in the Instagramization of the 2010s, the contemporary poetry world saw an exaltation of ‘honesty’ as an aesthetic priority. Poetry not as craft, but as ‘outlet,’ with the goal not of developing ourselves and enriching our understanding of the world, but of sitting more comfortably with how we already were and what we already believed.

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