Authenticity

Meanwhile, a fixation on honesty continues to pervade popular arts discourse, music included. Indie scenesters have historically been the ones to agitate most over authenticity, but in the golden age of confessional pop music, the aesthetic concern with honesty isn’t limited to subculture anymore. Direct access to artists’ personal lives seems more

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Confessional art can be beautiful, and it can be terrible; either way, to love it only as a representation of what we already know is to deny it, and ourselves, a much richer complexity. Pop music is where fantasies are played out, turned into mansions and lived in, where five hundred people can tumble out of a clown car and every dream comes true.

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Where we struggle to imagine a future beyond the contemporary shitshow, nihilism leads the retreat inwards; in art as in politics. “What good is a flourishing poetry market,” Watts asked, “If what we read in poetry books renders us more confused, less appreciative of nuance, less able to engage with ideas, more indignant about the things that annoy

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“[On one end, you have] auto-tune that perfectly puts music into tune…which is sort of flawless and faultless. [In contrast, the other side] is clumsy, awkward, crude and unfinished things that we all actually like in the right context. 

The reason we like the Velvet Underground is not for their gloss. It's for their roughness. For the feeling we... See more

Through both the album itself and her content around it, Charli has been honest and candid about where she’s at. It’s a refreshingly honest contribution amidst a category clogged with insincerity. She’s holding the insecurity of being who she is, online, in the world, in these parties along with the rush of just being a person getting lit with her

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