art and commerce
where the worlds of art and commerce collide, for better and for worse
Keely Adler and
art and commerce
The prescriptive forms of the art world, as in the real world, alienate us from ourselves and our neighbors. It’s normal to make art. This is a manifest truth that is obscured by the institutional imperative to contain and monopolize awe.
Elisabeth Nicula • A Body That’s All Surface
Permanence, culture and decentralization - JPG achieves a new milestone
JPG (pronounced jpeg)jpg100.substack.com
Illustrator Karlotta Freier recalls being mocked by her art school classmates for asking about how to make a living as an illustrator. “No one would make fun of a plumbing student for asking about the business side of things,” she says, “so why don’t I get to ask?” For decades, the promise of a creative career was the alleviation of the worst parts
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Photographer and new media artist Olivia Alonso Gough, aka @bug_girl_69, discusses working with different tiers of creativity, establishing a routine, and not going to grad school unless it's free.
thecreativeindependent.com
The narrative that art or creativity isn’t real work (as described below) is just one element of a much bigger discussion about what is considered and adequately valued as “real work” in today's society and economic system and what isn’t. As I wrote in Aliveness: Reframing Productivity: “We don’t really think of productivity as a measure of being
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