Architecture
Building design, aesthetics, and engineering.
Zachary Roush and
Architecture
Look for the architecture beneath, listen for it in a piece of music, sense it in a piece of poetry, feel it a dance, see it in a painting, contemplate it in the cosmological, observe it in your own perceptual faculties.
Rion Willard • "Everything is Architecture" - Hans Hollein
EVERYTHING IS ARCHITECTURE Alles ist Architektur is the title of a manifesto published in magazine Bau by Hans Hollein in 1968. According to Hollein, the traditional definition of architecture is no longer relevant. ‘Our efforts are focused on the en -vironment as a whole and all media that deter mine it. Television as well as the artificial... See more
Not specified in the provided text. • Radical Austria: Everything is Architecture
次世代に繋ぐ伝統建築 (先人の知恵を記憶する)
According to Google this translates to “Traditional architecture that connects to the next generation, remembers the wisdom of our predecessors”
According to Google this translates to “Traditional architecture that connects to the next generation, remembers the wisdom of our predecessors”
Websites to Spend Countless Hours On: 次世代に繋ぐ伝統建築 (先人の知恵を記憶する) — Christoph Labacher · Interaction Designer
But I also love the way that buildings are — they’re these huge structures that we have accepted as the places we go in to get what we need, or to sleep, or to work, or whatever. They’re also these huge towering structures. I think of them as if they’re creatures; they’re other kinds of beings. Sometimes we don’t even touch them. I’m interested in... See more
Drew Zeiba • CITY WRITER: Interview with Visual Poet Renee Gladman
Renee Gladman
Webdesign as architecture
www--arc.comJohn Pawson - Wooden Chapel
johnpawson.com
A small path leads to the chapel’s entrance, located at the transitional point between woodland and open ground. The architecture is framed as the simplest of gestures. From certain perspectives its mass appears as a pile of logs stacked up to dry; from others the considered placement of the elements on a concrete plinth creates a more formal impression of a piece of sculpture emerging from the forest. The purposefully narrow entry maintains the sense of physical proximity encountered as one moves through the dense trees, adding visceral and visual theatre to the exhilarating experience of passing into an attenuated space over seven metres high and nearly nine metres long.
Alexander is inspired by how design occurs in the natural world. "Things that are good have a certain kind of structure," he told me. "You can't get that structure except dynamically. Period. In nature you've got continuous very-small-feedback-loop adaptation going on, which is why things get to be harmonious. That's why they have the qualities... See more
Tomas Petricek • On architecture, urban planning and software construction
Maddie Farrer
maddiefarrer.com