("JP")

But I also love the way that buildings are — they’re these huge structures that we have accepted as the places we go in to get what we need, or to sleep, or to work, or whatever. They’re also these huge towering structures. I think of them as if they’re creatures; they’re other kinds of beings. Sometimes we don’t even touch them. I’m interested in ... See more

What keeps you returning to architecture?

I’ve talked about architecture for a long time. I feel like it emerged out of questions I used to have — or answers I used to find — in the city. I used to want to write about the city all the time and a lot of my books take place in cities. Then I used to talk about the sentence as a city, as a space to mov... See more

Renee Gladman is an artist and writer preoccupied with lines, crossings, thresholds, geographies, and syntaxes as they play out in the interstices of poetry and fiction. She is the author of nine works of prose and one collection of poetry.

Excerpt from Prose Architectures introduction by Renee Gladman: "Drawing extended my being in time; it made things slow. It quieted language. It produced a sense that thinking could and did happen outside of language: I saw it as a line extending from the body, through the hand, as if something were being poured or pulled out of oneself, but here, ... See more

I studied Classics in college. When I read Caro, I cannot help but think that his work is -- in terms of quality, significance, and longevity -- comparable to that of Thucydides, Tacitus, Suetonius. Truly one of a kind.

In architecture, fiction will replace function. (“Form follows fiction.”)

— Bernard Tschumi, “Manifestos,” 1978

EVERYTHING IS ARCHITECTURE Alles ist Architektur is the title of a manifesto published in magazine Bau by Hans Hollein in 1968. According to Hollein, the traditional definition of architecture is no longer relevant. ‘Our efforts are focused on the en -vironment as a whole and all media that deter mine it. Television as well as the artificial climat... See more

'Architects have to stop thinking in terms of buildings only. Built and physical architecture, freed from the technological limitations of the past, will more intensely work with spatial qualities as well as the psychological ones. The process of erection will get a new meaning, spaces will have more consciously have haptic, optic and acoustic prop... See more

Look for the architecture beneath, listen for it in a piece of music, sense it in a piece of poetry, feel it a dance, see it in a painting, contemplate it in the cosmological, observe it in your own perceptual faculties.