Alistair Knox
- I met Margot Edwards during 1948 in Matcham Skipper's Studio behind the Russell Street police station, and it was only a short time afterwards that I became her lover and a constant visitor to her in a loft in Ivanhoe. Margot was only eighteen years old and one of the most beautiful girls I had ever seen. She had done an art course at the Royal Mel... See more
from Alistair Knox
Jessica Lillico added 5mo ago
Paramours
- Our first son, Hamish, was born in April, and we went to live in the farm cottage, where he quickly became the special object of Mrs Fabbro's concern and penetrating voice. I was working by the wood-fire stove one evening after dinner when a knock at the door announced the presence of two policemen. They had come to inform me that Mernda had been k... See more
from Alistair Knox
Jessica Lillico added 5mo ago
Summary of later family life
- Margot and I were very happy at this time, especially because I had become the acknowledged leader of the movement. It was still in its infancy, but it was turning Eltham into a class of its own when it came to creative building. There was only one cloud in this otherwise brilliant sky. The use of natural material is always more difficult than that... See more
from Alistair Knox
Jessica Lillico added 5mo ago
Materials and business costs
- There were no regulations in those' days for slabs because there wasn't any slab work being done. It was also before the days of mobile concrete-mixers. In this case two men mixed the whole slab by hand in a single day, a fifty-two bag job, which meant some ten tons of screenings and about seven tons of sand. They scorned a mechanic.al mixer. Men w... See more
from Alistair Knox
Jessica Lillico added 5mo ago
Hand-mixed slabs, Horrie Judd
- Building this house was the re-birth of the original organic concept of the immediate post-war beginnings. It involved a return to first principle devising from what was on hand. Earth for walls, negation of concrete slabs, brick and stone paving direct onto the ground, and the employment of non-professional builders. It recaptured those early days... See more
from Alistair Knox
Jessica Lillico added 5mo ago
Knox family home
- Clifton Pugh: Portrait of Margot Knox 1958
I met Margot Edwards during 1948 in Matcham Skipper's Studio behind the Russell Street police station, and it was only a short time afterwards that I became her lover and a constant visitor to her in a loft in Ivanhoe. Margot was only eighteen years old and one of the most beautiful girls I had ever seen. S... See morefrom Alistair Knox
Jessica Lillico added 5mo ago
Eltham - uniqueness amongst Melbourne suburbia
- It started for me in 1946 when I enrolled at the Royal Melbourne Institute of Technology to study. The Chifley Government provided free tertiary training for every ex-serviceman who would apply for it.
Enrollment day at the RMIT saw about two hundred applicants crowding into the Architecture School to be assigned to their study groups. I had done pa... See morefrom Alistair Knox
Jessica Lillico added 5mo ago
The First Houses - labour from David Boyd, Matcham Skipper, John Yule
- Apart from the work of Ellis Stones and Edna Walling, there was practically no original landscaping in Australia before the late 1950s except for that of Burley Griffin and the pre-First World War Guilfoyle, who was responsible for the Royal Botanic Gardens. There was, however, a growing awareness of Australia's indigenous flora, but the practice i... See more
from Alistair Knox
Jessica Lillico added 5mo ago
Australian style landscaping
- The New Art movement - at whose birth I had been present thirteen years earlier - was, however, in healthy condition, even if its members were beset with financial difficulties. Arthur Boyd, John Perceval, Sidney Nolan, David Boyd, Neil Douglas, Bert Tucker, Matcham Skipper, and others who have become part of Australian history were on the threshol... See more
from Alistair Knox
Jessica Lillico added 5mo ago
The new art movement - Knox’s introduction