Jessica Lillico

One Sunday, Alistair Knox and his wife Mernda rode up on their bikes from Heidelberg to Eltham, to find Matcham and ask him if he would work for Alistair and show a couple of chaps how to make mud bricks. One of his clients, who had been a soldier in the Middle East, had been impressed by the earth buildings he had seen there and wanted a small cot... See more

Alistair Knox was a designer, builder and advocate for an alternate lifestyle. Between 1946 and 1986 he designed over 1,000 houses, a number of churches, schools and other buildings. The job numbers reached 1266 of these he built about 350. He is best known for his mud brick output of about 300 buildings. These were built in two periods: before 195... See more

The discipline of limited finance immediately started to produce an aura of inspired improvising that enabled the amateur builders to move into the problem with a new awareness that they were beating the system once more. For the past ten years I had, to a considerable degree, let go the primitive architectural character and produced over a hundred... See more

Building this house was the re-birth of the original organic concept of the immediate post-war beginnings. It involved a return to first principle devising from what was on hand. Earth for walls, negation of concrete slabs, brick and stone paving direct onto the ground, and the employment of non-professional builders. It recaptured those early days... See more

It was six years since I had seen him last, but he made it seem as though it were only yesterday. What I wanted to ask him was who owned the land that Margot and I liked nearby, but what I uttered was quite something else: 'Eddie', I said, 'I don't want to muck you around. Will you sell me some land?' Eddie was the largest landholding farmer in the... See more

Apart from the work of Ellis Stones and Edna Walling, there was practically no original landscaping in Australia before the late 1950s except for that of Burley Griffin and the pre-First World War Guilfoyle, who was responsible for the Royal Botanic Gardens. There was, however, a growing awareness of Australia's indigenous flora, but the practice i... See more

Our first son, Hamish, was born in April, and we went to live in the farm cottage, where he quickly became the special object of Mrs Fabbro's concern and penetrating voice. I was working by the wood-fire stove one evening after dinner when a knock at the door announced the presence of two policemen. They had come to inform me that Mernda had been k... See more

Margot and I were very happy at this time, especially because I had become the acknowledged leader of the movement. It was still in its infancy, but it was turning Eltham into a class of its own when it came to creative building. There was only one cloud in this otherwise brilliant sky. The use of natural material is always more difficult than that... See more

Clifton Pugh: Portrait of Margot Knox 1958

I met Margot Edwards during 1948 in Matcham Skipper's Studio behind the Russell Street police station, and it was only a short time afterwards that I became her lover and a constant visitor to her in a loft in Ivanhoe. Margot was only eighteen years old and one of the most beautiful girls I had ever seen. S... See more

I met Margot Edwards during 1948 in Matcham Skipper's Studio behind the Russell Street police station, and it was only a short time afterwards that I became her lover and a constant visitor to her in a loft in Ivanhoe. Margot was only eighteen years old and one of the most beautiful girls I had ever seen. She had done an art course at the Royal Mel... See more