week 46 / 2025: eyes on the street
When we read of a character sensing things, feeling things, we sense and feel along with them. Instead of simply looking at a picture drawn with words, we find ourselves imagining ourselves into the scene, as if we were sensing it through the character’s body. This is not only much more vivid, but much more efficient: once the reader’s imagination... See more
week 46 / 2025: eyes on the street
– Paul Graham Raven
Very helpful to keep in mind when writing vivid scenario descriptions