We have to give up. You surrender to the reality that things just take the time they take, and that you can’t quiet your anxieties by working faster, because it isn’t within your power to force reality’s pace as much as you feel you need to, and because the faster you go, the faster you’ll feel you need to go. If you can let those fantasies crumble, Brown’s clients discovered, something unexpected happens, analogous to the alcoholic giving up his unrealistic craving for control in exchange for the gritty, down-to-earth, reality-confronting experience of recovery. Psychotherapists call it a “second-order change,” meaning that it’s not an incremental improvement but a change in perspective that reframes everything. When you finally face the truth that you can’t dictate how fast things go, you stop trying to outrun your anxiety, and your anxiety is transformed.There is nothing passive or resigned about the kind of patience that arises from this effort to resist the urge to hurry. On the contrary, it’s an active, almost muscular state of alert presence—and its benefits, as we’ll see, extend far beyond art appreciation.

We have to give up. You surrender to the reality that things just take the time they take, and that you can’t quiet your anxieties by working faster, because it isn’t within your power to force reality’s pace as much as you feel you need to, and because the faster you go, the faster you’ll feel you need to go. If you can let those fantasies crumble, Brown’s clients discovered, something unexpected happens, analogous to the alcoholic giving up his unrealistic craving for control in exchange for the gritty, down-to-earth, reality-confronting experience of recovery. Psychotherapists call it a “second-order change,” meaning that it’s not an incremental improvement but a change in perspective that reframes everything. When you finally face the truth that you can’t dictate how fast things go, you stop trying to outrun your anxiety, and your anxiety is transformed. There is nothing passive or resigned about the kind of patience that arises from this effort to resist the urge to hurry. On the contrary, it’s an active, almost muscular state of alert presence—and its benefits, as we’ll see, extend far beyond art appreciation.

Four Thousand Weeks: Time Management for Mortals

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This was what I had begun to grasp, on that park bench in Brooklyn, and I still think it’s the single best antidote to the feeling of time pressure, a splendidly liberating first step on the path of embracing your limits: the problem with trying to make time for everything that feels important—or just for enough of what feels important—is that you

Oliver Burkeman • Four Thousand Weeks: Time Management for Mortals

patience becomes a form of power. In a world geared for hurry, the capacity to resist the urge to hurry—to allow things to take the time they take—is a way to gain purchase on the world, to do the work that counts, and to derive satisfaction from the doing itself, instead of deferring all your fulfillment to the future.

Oliver Burkeman • Four Thousand Weeks: Time Management for Mortals

Digging in to a challenging work project that can’t be hurried becomes not a trigger for stressful emotions but a bracing act of choice; giving a difficult novel the time it demands becomes a source of relish. “You cultivate an appreciation for endurance, hanging in, and putting the next foot forward,” Brown explains.

Oliver Burkeman • Four Thousand Weeks: Time Management for Mortals

The more you hurry, the more frustrating it is to encounter tasks (or toddlers) that won’t be hurried; the more compulsively you plan for the future, the more anxious you feel about any remaining uncertainties, of which there will always be plenty. And the more individual sovereignty you achieve over your time, the lonelier you get. All of this ill

Oliver Burkeman • Four Thousand Weeks: Time Management for Mortals

we speed addicts must crash to earth. We have to give up. You surrender to the reality that things just take the time they take, and that you can’t quiet your anxieties by working faster, because it isn’t within your power to force reality’s pace as much as you feel you need to, and because the faster you go, the faster you’ll feel you need to go.

Oliver Burkeman • Four Thousand Weeks: Time Management for Mortals

In a world geared for hurry, the capacity to resist the urge to hurry—to allow things to take the time they take—is a way to gain purchase on the world, to do the work that counts, and to derive satisfaction from the doing itself, instead of deferring all your fulfillment to the future.