I believe the focus on plot should be shifted onto character. It’s people, not events, that we’re naturally interested in. It’s the plight of specific, flawed and fascinating individuals that makes us cheer, weep and ram our heads into the sofa cushion. The surface events of the plot are critical, of course, and its structure ought to be present, f

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Plot, in other words, resides in establishing a clear chain of consequence. Not this happens and this happens and this happens. But: this happens, therefore that happens. And because that happened, this next thing happens. My scenes needed to expose hidden truths (Recognition), upend expectations (Reversal), escalate tension, and instigate further

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Robert McKee says humans naturally seek comfort and stability. Without an inciting incident that disrupts their comfort, they won’t enter into a story. They have to get fired from their job or be forced to sign up for a marathon. A ring has to be purchased. A home has to be sold. The character has to jump into the story, into the discomfort and the

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