The Perils of Audience Capture
Selfhood buckles under the weight of this commercial importance. In physical spaces, there’s a limited audience and time span for every performance. Online, your audience can hypothetically keep expanding forever, and the performance never has to end.
Jia Tolentino • Trick Mirror: Reflections on Self-Delusion
Extrapolating this into the realm of strangers, I worry that if we let our real-life interactions be corralled by our filter bubbles and branded identities, we are also running the risk of never being surprised, challenged, or changed—never seeing anything outside of ourselves, including our own privilege.
Jenny Odell • How to Do Nothing: Resisting the Attention Economy
more and more every day that once people decide you have clout or social capital, they want to synchronize with you. They begin to want to converge with you. And that sounds fine, right? Like, people want your opinions. They trust your taste. But the problem becomes then that once you are someone that other people set their watches by, you cease to... See more
Substack • martin luther's wordle starter
The longer I work in networked spaces, the more convinced I become that increasingly inescapable and seemingly innocuous forms of context collapse in our media and social internet systems secretly explain a shockingly large proportion of every weirding, every derangement, and every rollercoaster terror/joy of the systems we live in online. So no su... See more
Erin Kissane • against the dark forest
In real life, the success or failure of each individual performance often plays out in the form of concrete, physical action—you get invited over for dinner, or you lose the friendship, or you get the job. Online, performance is mostly arrested in the nebulous realm of sentiment, through an unbroken stream of hearts and likes and eyeballs, aggregat
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