On Writing Well, 30th Anniversary Edition: An Informal Guide to Writing Nonfiction
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On Writing Well, 30th Anniversary Edition: An Informal Guide to Writing Nonfiction
Saved by finn and
Ultimately the product that any writer has to sell is not the subject being written about, but who he or she is.
This may seem to be a paradox. Earlier I warned that the reader is an impatient bird, perched on the thin edge of distraction or sleep. Now I’m saying you must write for yourself and not be gnawed by worry over whether the reader is tagging along. I’m talking about two different issues. One is craft, the other is attitude. The first is a question o
... See moreSell yourself, and your subject will exert its own appeal. Believe in your own identity and your own opinions. Writing is an act of ego, and you might as well admit it. Use its energy to keep yourself going.
Leaders who bob and weave like aging boxers don’t inspire confidence—or deserve it. The same thing is true of writers. Sell yourself, and your subject will exert its own appeal. Believe in your own identity and your own opinions. Writing is an act of ego, and you might as well admit it. Use its energy to keep yourself going.
Learn to alert the reader as soon as possible to any change in mood from the previous sentence. At least a dozen words will do this job for you: “but,” “yet,” “however,” “nevertheless,” “still,” “instead,” “thus,” “therefore,” “meanwhile,” “now,” “later,” “today,” “subsequently” and several more. I can’t overstate how much easier it is for readers
... See moreThe columns that I wrote for Life made people laugh. But they had a serious purpose, which was to say: “Something crazy is going on here—some erosion in the quality of life, or some threat to life itself, and yet everyone assumes it’s normal.” Today the outlandish becomes routine overnight. The humorist is trying to say that it’s still outlandish.
The customer has to stop after every sentence and translate it.
Write about a field you enjoyed in college and always meant to get back to: history, biography, art, archaeology. No subject is too specialized or too quirky if you make an honest connection with it when you write about it.
I could go on quoting examples from various fields—every profession has its growing arsenal of jargon to throw dust in the eyes of the populace. But the list would be tedious. The point of raising it now is to serve notice that clutter is the enemy. Beware, then, of the long word that’s no better than the short word: “assistance” (help), “numerous”
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