On the Aesthetic Turn | The Point Magazine

Art, which had previously been a way to produce discursive polyphony, aligned itself with the dominant social-justice discourses of the day, with works dressed up as protest and contextualized according to decolonial or queer theory, driven by a singular focus on identity.

- "In charting what is relevant at a given moment, bringing new art and cultural developments to our readers’ attention, we aren’t just embracing topicality for topicality’s sake; we’re trying to stay unsettled."

- "In charting what is relevant at a given moment, bringing new art and cultural developments to our readers’ attention, we aren’t just embracing topicality for topicality’s sake; we’re trying to stay unsettled."

I don’t think we’ve ever needed genuine works of art — imaginative creations that press us to see the world in larger or at least different ways than our standard everyday media-navigation categories allow — more than we do now. But our current resources are few, because of the ways the major art-related organizations have lost any discernible sens... See more

Yet one of art’s most compelling features is how it showcases the disjuncts between the time of composition, the time of dissemination, and the time of consideration—disjuncts that can summon us to humility and wonder. Such temporal amplitude understandably falls out of favor in politically polarized times, in which the pressure to make clear “whic

... See more

The upshot of taking mass culture seriously has been a growing awareness that much of what we call good taste is merely an aesthetic like any other.