Elizabeth Schambelan on criticism - Artforum International

Yet one of art’s most compelling features is how it showcases the disjuncts between the time of composition, the time of dissemination, and the time of consideration—disjuncts that can summon us to humility and wonder. Such temporal amplitude understandably falls out of favor in politically polarized times, in which the pressure to make clear “whic

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I don’t think we’ve ever needed genuine works of art — imaginative creations that press us to see the world in larger or at least different ways than our standard everyday media-navigation categories allow — more than we do now. But our current resources are few, because of the ways the major art-related organizations have lost any discernible sens... See more

For all its good intentions, art that tries to minister to its audience by showcasing moral aspirants and paragons or the abject victims of political oppression produces smug, tiresome works that are failures both as art and as agitprop. Artists and critics—their laurel bearers—should take heed.

- “My discomfort with our current use of “relevance” as a term of judgment is that it conceals its criteria, and that those criteria are not aesthetic, but social and political. I worry that if we make such “relevance” not just one among other judgments we might make about art, but a condition of our interest, we have made that condition purely abo... See more

At its best, cultural criticism is love and art that exists to give love to other expressions of art. It's beautiful in its indulgence.