Music's Past & Future: Talking with Michael Pelczynski
The music industry is one that has never ceased to have a need(s) for revamping and improvement. It is interesting to see that Goldberg, and I am sure many others, had the vision for a better future back then. Today, we are still grappling with ways to allocate more resources to music creators and incentivize fans but is not an easy task.
Sriram Krishnan • Dave Goldberg on music Music
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The problem: Technology and music have always engaged in a symbiotic path towards innovation and creativity. The first recording devices, synthesizers, and even records were a result of technological innovators. Likewise, the first computers and mobile devices prioritized music as a key feature. The way we produce, consume, and support music has ch... See more
Lerer Hippeau • Please welcome HIFI, a financial rights organization for the music industry
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This is reflective of a broader trend—artists want direct ownership over the relationship with their fans, and to be compensated based on how these fans interact with their music. Case in point: SoundCloud’s recent foray into ‘fan-centric’ payouts, Deezer’s continued experimentation with user-centric payout models, and the ongoing parliamentary inq... See more
Yash Bagal • A New Funnel for Music
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One such curator is Derrick Gee, a former online radio d.j. who lives in Australia. I first encountered Gee on TikTok and was pulled in by his architect-ish look: thin wireframe glasses and stylishly baggy, often monochrome outfits. He records videos of himself talking into a microphone in a low, soothing voice, breaking down trends in contemporary... See more
Kyle Chayka • The New Generation of Online Culture Curators | The New Yorker
Arman: Prior to this industry, prior to 2000, when Napster and the ripping services emerged, it was an interesting model for this business. You had a few dominant, large labels that controlled every aspect of music from the discovery of the talent, to the producing of the songs, to the recording of the songs, because they own the studios because it... See more
Colossus • Universal Music Group: The Gatekeepers of Music
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Of the $40 billion in annual revenue earned by the music industry, only 12% is actually paid out to artists. The remainder goes to institutional middlemen like agents, platforms, and record labels, unfairly cheating creators out of the fruits of their labor. Moreover, fans, whose engagement almost entirely drives these revenue streams, are given no... See more
Paul Veradittakit • Tokenized Royalties
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