curation, for a really long time, has been top-down. The idea of a very small pool of people deciding a lot of what people consume is never really a good idea. Injecting the voice of the people, and allowing for individuals who maybe would be talented curators on their own, to have the opportunity to pull new artists that we never would have... See more

By encouraging contemporary art museums to experiment with similar value flow curation, we hope to initiate a friendly, positive-sum competition among cultural institutions to connect in deeper ways with the material conditions of art workers and audiences.

Curation has historically emerged at moments when institutions failed to provide coherence. Salons rose when the Church and monarchy lost epistemic control; DJs rose when record labels could no longer define taste; curators rise today because algorithms are riddled with decision fatigue, influencers are intrinsic to their own needs, and the... See more