The relationship between utopia and futurescape is thus cardinal because the former serves to host scenarios of futures, while futurescapes are the projects that give consistency and form to utopias.
The home of the Utopian impulse was architecture rather than painting or sculpture. Painting can make us happy, but building is the art we live in; it is the social art par excellence, the carapace of political fantasy, the exoskeleton of one’s economic dreams. It is also the one art nobody can escape.