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14. All those nasty, rebellious songs that defy authorities are now owned by hedge funds.

The project is currently securing partnerships with a number of undisclosed high-profile artists, and plans to let fans begin backing music productions in October. After building and validating a product around music ownership, the team plans to expand their approach to other royalty-generating assets––both digital (TV licensing, YouTube content cr... See more

In the early days of social media, companies made blogging technologies with the promise that writers would be able to communicate directly with their readers. This pattern played out in industry after industry. But these changes left creators at the mercy of companies far more powerful, far more ruthless, and far less accountable than the record l... See more

We’re the first music company to introduce fan-powered royalties, where independent artists can get paid more because of their dedicated fans.

Under the tyranny of algorithmic media distribution, artists, authors — anyone whose work concerns itself with what it means to be human — now have to be entrepreneurs, too.

The fact that entirely new global networks and economies were spawned by fair agreements between musicians, designers, and organisers. The individual is truly more independent under an interdependent regime, with a network of people who have their back, or an audience of people who cover their expenses.