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Art Tech
Barriers to entry for his peers, Palley explained, include a sense of ignorance. “We’re used to seeing everything online — click to browse and click to buy — and there is huge transparency and the commercial art world is very opaque and hard to navigate.”
“That doesn’t work for us,” Palley continued. “My generation, we want to see numbers, we want t... See more
“That doesn’t work for us,” Palley continued. “My generation, we want to see numbers, we want t... See more
Where Are Young Art Collectors and Museum Donors?
Philip Soriano added
Where Are Young Art Collectors and Museum Donors?
The art world is concerned about where the next generation of buyers and supporters is going to come from.
https://www.nytimes.com/2024/05/02/arts/design/young-collectors-museum-donors.html?smid=nytcore-ios-share&referringSource=articleShare&sgrp=c-cb
how can we combine top down critical narratives and curation in what we think is an important art movement together with access to emerging artists and opportunities in a way that there is real investment value, precisely because they're undiscovered. And so our thinking there is to really try to create the MoMA for generative art by pairing some o... See more
Sam Englebardt • Investing in Immersive Worlds
sari added
sari added
In the last decade, blockchain technology and crypto have been laying the foundations for an alternative reality in which humans interact and organise themselves without the mediation of a third party. Crypto currencies are a US$2T asset today and billions of dollars are being traded globally without the need of a bank or intermediary, with transac... See more
Anjali Kapoor • The Future Of Loyalty Marketing Is Crypto Enabled
Xuanling11 added
sari added
In a way, crypto only magnifies or exposes the historically intimate ties between art, status and money. When we are in the thick of operating in the art system, it’s easy to forget how the aesthetic value, historical value, monetary value are actively negotiated for each art object. What web3 did was simply render art as a literal currency.
Wendi Yan • An Artist in Crypto
SpaceXponential added
What the partners were looking for were categories that were ripe for “disintermediation”—removing a middle layer in the distribution chain. In this case, that layer was the twelve thousand or so art galleries in the country.
Randall E. Stross • eBoys: The First Inside Account of Venture Capitalists at Work
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