Brian Thomas Clark

5. Middle age is really the time, I think, that the tamped-down parts of yourself, anything you’ve ignored, any dreams you left behind, come first trickling then bursting back up out of the place you’ve put them in, and the foundation of the structure you’ve build to survive in the world and get to this point starts to get washed away. It happens... See more

I can’t stop thinking about how objects hold me. How they alter the way I carry myself in a new room. Or hug me when surrounded by strangers. Clothes keep teaching me valuable lessons of tenderness and repair–of repetition, and the importance of returning to things that are worthy of love. This is not to encourage anxiety or hyper-attachment to our... See more

The question of our time is how do you artistically rebel — and win — against a totally flat cultural landscape? And before my readers, who I assume are all approximately 36 years old and very tired, say, “so what, who cares?” This does matter. I mean, just look around right now lol. You know things are bad when even OpenAI President Greg Brockman... See more

What I do know is that we are in an era marked by a crisis of masculinity that is neither warranted nor deserved. That young men feel very alienated. That they are very online. That there is a paradigm shift away from what has been true for the past 60 years: boy leaves home; boy reacts against his parents’ puritanical values; boy becomes some sort... See more

It’s not just movies and TV, of course — we’re all aghast at how much time we spend on devices, consuming content , whatever that means. Reading and watching and posting and shopping, always shopping for things and ideas and comfort and distraction. Surely this endless marketplace will turn up something that satisfies us at some point! I complained... See more

Brian Eno: why I sculpt sound : "The thrill of making music is not when you succeed in meeting the brief, but when something happens that you hadn’t expected — some moment of synergy when you put together two or three familiar things and something emerges that is much bigger, more complex and surprising. The feeling at that moment — 'now I’m... See more

Thirst and clout-chasiness aside, there’s no question that the ‘modern media brand’ need multi-modal expression through published content, social syndication, IRL experience, consumable goods and active community.

When Elliot protests that he can’t just do nothing, he is seeing and judging himself from the perspective of a culture that looks with disdain at anything that smacks of inactivity. Under constant self-scrutiny as to whether he is being sufficiently productive, he feels ashamed when he judges himself to have come up short in this regard. But this

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