Brian Thomas Clark
@btc
Strategist/Producer/Collector
Digital Experience Director @risd
Brian Thomas Clark
The ones and zeroes of the digital map tolerate no error or noise. It’s an auto-tuned reality where everything is on the note or it doesn’t exist. Never mind that James Brown reaching up to that note is where we find the soul of the music. In the world of digital figures, that expression of the human soul — that stuff between the official notes —... See more
Douglas Rushkoff • Pockets of Weird: The Fight Over Reality
“Authenticity”, I think, looks like the power to opt in or out, perform or not, when you want to—in other words: freedom. So when it comes to the Internet, if switching off entirely isn’t possible any more, then surely the words of MGMT can be useful: “control yourself, take only what you need from it.”
The New Nostalgia
digital life and
The exhaustion experienced in burnout combines an intense yearning for this state of completion with the tormenting sense that it cannot be attained, that there is always some demand or anxiety or distraction which can’t be silenced. In his 1960 novel “A Burnt-Out Case” (the title may have helped bring the term into general circulation), Graham
... See moreAnother reason for all the division: the self itself is fragmented. As Yancey Strickler says, we are in the era of the post-individual. Strickler’s essay is deep and illuminating, but it is best summarized by a Sean Monahan quote he includes in the article: “Once upon a time people were born into communities and had to find their individuality.... See more
Gen Z: The Divided Generation
We have been an essentially colonial civilization since the first enclosed farm, since agriculture, really, but definitely since territorial wars, slavery, and resource extraction. It’s what we do - not just with imperial armies, but with basic capitalism. This is our average. Our normal. A digital media environment with algorithms and AIs... See more
Douglas Rushkoff • Pockets of Weird: The Fight Over Reality
If I sometimes feel like my hard drive is full, then it doesn’t matter if what I’m adding to the drive is, on its face, soothing. It’s just more stuff, more data, more things to process. By adopting my friend’s elevated standard for what’s allowed in, I decreased the number of inputs, the number of demands for thought and work and reaction I was... See more
nytimes.com • Works of Art - The New York Times
taste and
This all isn’t to say that there was nothing novel about TikTok. It obviously did give Americans genuinely new ways to communicate and create culture, but the culture we created with it was always there. Thanks to TikTok, America finally saw itself and it scared us. It turns out Americans don’t talk the way we think they should, don’t dress the way... See more
Holding up a mirror to America
When everything is cheerfully “retro,” Fisher argued, we lose our grasp on history—and, without a sense of why the past happened the way it did, our anything-goes embrace of “happy hybridities” is an empty gesture. “What pop lacks now is the capacity for nihilation, for producing new potentials through the negation of what already exists,” he
... See moreMedia & Culture and
Mark Fisher’s “K-Punk” and the Futures That Have Never Arrived
Hua Hsu, December 11, 2018, New Yorker
Second, by not letting algorithms decide what deserves your attention. If you want to feel creatively and intellectually alive, stop mindlessly consuming the internet and start mindfully curating it. You need a space away from social media's compulsive rhythm, where your ideas can grow at their own pace.
Sari Azout • What Matters in the Age of AI Is Taste
making-meaning and taste