Brian Thomas Clark

But what we consume does, truly, matter. It’s essential to appeal to the people in our lives, and remind them of the importance of seeking out imaginative work that might stoke the fires of their own creativity.

Because we aren’t just talking about entertainment here, or distraction, or leisure. We’re talking about the narratives that comprise the... See more

And on the internet in 2025, true transgression means making something algorithms can’t promote.

A decade ago, you paid for a smartphone to get 24/7 access to a world that, while demanding of your attention and full of advertising, was made up of a greater share of pleasurable, novel, or at least elective stuff: social media; entertainment; communication with friends; a bit of freedom from your desk at work, if you wanted it. (It provided... See more

I suspect the rise of inspiration-sharing platforms might be making me, and everyone else on the collaborative internet, more focused on publicising our taste rather than feeding it. It’s easier to go viral on Twitter (err, X) by posting “vintage design inspiration” than it is by posting your own work. New sites like PI.FYI, a social network from... See more

In Marie Howe’s poem “Hurry,” she describes running errands with a child in tow. “Hurry up honey, I say, hurry,” she urges, as the little one scampers to keep up. Then she wonders: “Where do I want her to hurry to? To her grave? / To mine? Where one day she might stand all grown?”

Moskowitz blames techno-capitalism’s monetisation of human emotion. Social platforms, they argue, create environments in which users willingly contort themselves into ever more extreme versions of themselves – louder, cringier, more exposed – just to be seen. It’s the natural byproduct of systems that reward emotional spectacle and penalise silence... See more

I’m fascinated with Coppola partly because she does different things very well, something I think we all strive for. But the way she presents herself and her work walks a perfect line between highbrow and approachable, never veering too far either way. She doesn’t deny her lineage or commercial success but maintains her artistic sensibility. Not... See more