Brian Thomas Clark

In the digital age, cultural artifacts are eroded by abundance. Timelines layer and compress artwork, images, and artifacts into corners of the internet. In my corner, I stumbled across a speech entitled “Perfume, Defense and David Bowie’s Wedding” delivered by Brian Eno in 1992 at the Sadler Wells Theatre in London. In it, Eno predicted the... See more

We would be far better off seeking out (or tacitly engineering) encounters in which we both have to struggle together to achieve a common goal. This might be something far out-of-the ordinary – rock-climbing, cliff-diving – or it might be something much more quotidian, like hunting down a hard-to-find ingredient for a meal, or even doing laundry.

We... See more

While it’s probably one of the corniest things I’ll ever write in this column, I’ve come to believe that developing taste is not so unlike going to therapy; it’s an inefficient, time-consuming process that mostly entails looking inward and identifying whatever already moves you. It’s the product of devouring ideas, images and pieces of culture not... See more

Technical debt is the pollution of the digital world, invisible until it chokes the systems that depend on it. In an era of mass automation, we may find that the hardest problem is not production, but stewardship. Who maintains the software that no one owns?

“All of my hobbies involve basically micro-dosing epiphanies,” Nguyen said at one point. “Every time you’re yo-yoing, you’re like, If I change my angle this much, or if I pull a little bit here, or if I drop it, oh, then it works! ”

Your extreme local, embodied community is your only truly real one. Think of it this way: Whose bodies are closest to yours when you’re sleeping at night? Those are the ones who can keep you safe. You have to know these people, care about these people, or even just recognize these people.

When we know each other, our relationships transcend whatever... See more

I suspect the rise of inspiration-sharing platforms might be making me, and everyone else on the collaborative internet, more focused on publicising our taste rather than feeding it. It’s easier to go viral on Twitter (err, X) by posting “vintage design inspiration” than it is by posting your own work. New sites like PI.FYI, a social network from... See more

Logging off

It’s easy to forget that we used to find music, movies, photography, and books entirely offline. You’re more likely to discover something truly serendipitous and surprising flipping through vintage magazines at your local public library than endlessly scrolling an Instagram feed that’s already tailored to your taste. Stroll through an... See more