Brian Thomas Clark

AI might take over some of our jobs, but I believe it will also lead to a major resurgence of arts and crafts. It might mobilise people in new ways. New luddite rebellion? Bring it on! Not only will we need creativity to find purpose in life (because what are humans for then?), we will also come to cherish the handmade with a renewed sense of... See more

Wanting positive experience is a negative experience; accepting negative experience is a positive experience. It’s what the philosopher Alan Watts used to refer to as “the backwards law”—the idea that the more you pursue feeling better all the time, the less satisfied you become, as pursuing something only reinforces the fact that you lack it in... See more

What my students seek is what I sought: not just a place to publish, of which there remain plenty, but a place to aspire to, the kind of established, vital ecosystem within which a writer can learn, play, feud, create meaning, spark conversation, make sense of herself and her world. Rare by definition, such things grow more elusive by the day.

The larger truth is that the Internet creates the illusion that all culture is taking place right now. Actual history disappears in the eternal present of the web.

It seems clear that AI art’s biggest utility right now is aspirationalism. The ability to quickly and cheaply generate a vision of the future for Trump supporters. And I’ve written before about how AI art is to modern fascism what futurism was to 20th-century fascism, but the Homeland Security X account posting a Thomas Kinkade painting — and a... See more

I suspect the rise of inspiration-sharing platforms might be making me, and everyone else on the collaborative internet, more focused on publicising our taste rather than feeding it. It’s easier to go viral on Twitter (err, X) by posting “vintage design inspiration” than it is by posting your own work. New sites like PI.FYI, a social network from... See more

This, I think, is another reason why Updike has so many detractors. Ever since F.R. Leavis wrote The Great Tradition , there has been a school of literary criticism that has demanded that great novelists also be great moralists: that the job of the writer is not just to reflect the world but to tell it the difference between right and wrong.

That is... See more

I'm not alone in this experience. I recall discussing with Chris Black of How Long Gone how influential these magazine-driven Borders explorations were for him. It was akin to traveling without the expense of a Virgin Atlantic ticket, building a repository of references by turning pages and tapping into cultural hubs. It involved dedicating time... See more