Brad Barrish

We live in a world where movies aren’t considered art, but intellectual property. They’re “content,” little chunks of stuff that can be licensed, extended, remixed, rebooted, made into bedsheets and amusement park rides and whatever else will make money. It’s how the business has worked for half a century or more.

We’ve grown so intolerant of delay that we can’t sit through a full microwave countdown before intervening— preferring to eat it lukewarm than wait for zero.

It’s so easy to say that we’re all one world and that there shouldn’t be anti-Semitism, there shouldn’t be racism — it’s so easy to be lovey-dovey and peacenik. But I say this without any qualifications: I’ve never experienced any of that (hatred). Never. So every time I’m making an argument that has anything to do with race or misogyny or

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Bad actors want to sort out what bot styles get the most responses for engagement farming. Bluesky is light on algorithms that filter what you can see, but spammers got in the habit of exploring how the algorithms work on Twitter, Facebook, and Threads so they could exploit them.