Bianca Aguilar

Southeast Asia is one of the most challenging markets and designing for inclusivity  is even more difficult due to the  unique and diverse demographic, culture and behaviour .

Using Minecraft’s building blocks, community groups design a virtual public space, later made into concrete reality. From parks to beaches and even streets themselves, these spaces are a key indicator of the health and sustainability of cities.   “If made safe, accessible, and welcoming, they can be drivers of civic cohesion, biodiversity,

Hui, who previously designed the  New York Times’  Chinese logo and a custom typeface for tech giant Tencent, believes that Chinese type design has become stagnant and unoriginal. Most of the fonts on the market have gone through a process of convergent evolution to become blocky and conventional. “There’s no emotion behind them,” Hui told  Rest

Ahhhhh, the “cute” factor. Japan is a gentle, nonviolent country and that core cultural thread is sewn throughout eCommerce and mobile communication.

In terms of real UX preference differences, I can say that the Bootstrap-3 big-grid-spacing revolution has not hit here yet, and many Chinese feel like a 30 px margin is too loose, that it leaves the webpage feeling too disconnected. The local eye seems a little more tuned into smaller grid spacing