Bianca Aguilar

South Africa, to some South Africans and the media, is often referred to as the “Land of Opposites”, or “Land of Contrasts”. It’s a fair statement to make. Due to a rocky past, the country has been left with some very visible contradictions and problems. It’s quite common to see incredible wealth right next to sadden

Hui, who previously designed the  New York Times’  Chinese logo and a custom typeface for tech giant Tencent, believes that Chinese type design has become stagnant and unoriginal. Most of the fonts on the market have gone through a process of convergent evolution to become blocky and conventional. “There’s no emotion behind them,” Hui told  Rest

“Digital universalism ” is the pervasive but mistaken framework shaping global imaginaries around the digital that presumes that a single, universal narrative propelled by “centres” of innovation can accurately represent the forms of digital development unde

rway across the globe today.

Using Minecraft’s building blocks, community groups design a virtual public space, later made into concrete reality. From parks to beaches and even streets themselves, these spaces are a key indicator of the health and sustainability of cities.   “If made safe, accessible, and welcoming, they can be drivers of civic cohesion, biodiversity,

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ost Southeast Asian are still struggling to afford and get access to full product experiences due to cost of ownership limitations.