Bianca Aguilar

"If you look at say, Twitter, where 50% of young people are very active in Saudi Arabia, the most popular Twitter accounts are often imams themselves, because there's a lot of competition amongst these religious leaders to get the young people's attention."

In terms of real UX preference differences, I can say that the Bootstrap-3 big-grid-spacing revolution has not hit here yet, and many Chinese feel like a 30 px margin is too loose, that it leaves the webpage feeling too disconnected. The local eye seems a little more tuned into smaller grid spacing

"We need to also understand that we can only celebrate automation when we have strong safety nets and strong security systems that allow us to reimagine our ways of living."

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ost Southeast Asian are still struggling to afford and get access to full product experiences due to cost of ownership limitations.

The culture of a country sews threads throughout everything its members see and say. Here, details are a welcome aspect of communication and therefore web design too, as a website conveys information and sells the company and its products in place of a live salesperson. Details are needed because risk is absolutely not tolerated. More

Hui, who previously designed the  New York Times’  Chinese logo and a custom typeface for tech giant Tencent, believes that Chinese type design has become stagnant and unoriginal. Most of the fonts on the market have gone through a process of convergent evolution to become blocky and conventional. “There’s no emotion behind them,” Hui told  Rest